A few days later Doctor Geddes sent us Schmetz, the gardener, a gnarled little man with a peppery temper, a torrential flow of Alsatian French, and a tireless energy. I don't know why nor how Schmetz had come to Hyndsville, except that somehow he had acquired a small farm near by and couldn't get away from it. He explained to us, gently but firmly, that if we wouldn't meddle after the manner of women, but would leave his job in his own hands, it would be better for us, and for the garden. We meekly acquiescing, he called in helpers and with a wave of his hand set hoe and ax and spade to work.
The weather had changed into days of deep blue skies, splendid days full of the warmth of potential power; and nights filled with fragrance, nights of fierce beauty, and the glamour of golden moons, and the thrilling melody of that feathered Israfel, the mocking-bird. Through our open windows immense moths, spirits of the summer nights, drifted in on enameled and jeweled wings and circled in a fire-worshiping dance around our light.
Those were wonderful days. For that was a house of surprises, a house full of laid-by things. One never knew what one was going to find. One morning it might be a Ridgway jug all delicate vine leaves and faun heads, or an old blue-and-white English platter, or a piece of fine salt-glaze. On the top shelf of a long-locked closet, pushed back in the corner, you'd discover a full set of the most beautiful sapphire glassware, and a pagoda work-box with ivory corners; and on a lower shelf, wrapped in half a moth-eaten shawl, two glowing luster jugs in proof condition. Mary Magdalen salvaged a fine china sillabub stand, with little white-and-gold covered cups on it, from a sooty box under a kitchen cupboard. A back drawer of the dusty office desk yielded up half a dozen exquisite prints. And I'm sure Alicia will remember even in heaven the ecstasy she experienced when a battered bureau gave into her hands the adorable Bow figures of Kitty Clive and Woodward the actor, she pink-and-white, petticoated and furbelowed, lovely as when London went mad over her, and he cocked-hatted and ruffled and dandified; and neither with so much as the least littlest chip to mar their perfection.
Or a hair trunk would reveal little frocks stitched by hand, and a pair of tiny flat slippers with strings gone to dust like the little feet that had worn them. With these were two dolls, one dressed in sprigged India muslin and lace, with a shepherdess hat glued on her painted head; the other dressed in a poke-bonnet, a satin sack, and a much-flounced skirt. They had evidently belonged to "Lydia, our Darling Child," whose name, in unsteady letters, was painfully set down in the printed picture-books at the bottom of the trunk. These things that had belonged to a "darling child" so long dead lent the grim old house a softening touch. Poor old house, whose little children had all gone, so long ago!
It was the day we were taking up the beautiful old carpet in the back drawing-room. Alicia was rejoicing for the thousandth time over this treasure of hand-woven French art. Of a sudden, horrible yells rose from the garden, and a shrieking negro went by the window like an arrow. We caught "Murder!—Ol' Witch!—Corpses!" as he disappeared. Uncle Adam, catching his panic, bolted with him; the two negro women followed. Only Mary Magdalen, amazonian arms bare, a rolling-pin grasped in a formidable fist, stood like a rock of defense behind us.
"Ah jes' wants to catch any ol' corpses trapesin' 'round mah kitchin, trackin' up mah clean flo', an Ah 'll suah settle day hash once fo' all!" trumpeted Mary Magdalen.
Outside, Schmetz was jumping up and down, flapping his arms, and screaming in voluble French:
"Name of a dog! Senseless Senegambians, remain! Iron-skulled offspring of the union of a black mule and a pickax, cease to fly!"
"What is the matter? For heaven's sake? what is the matter?" I shouted.
"We done dig up de corpses! We done fin' wha'h dat ol' witch 'oman bury de bodies!" howled a workman in reply.