A Woman Named Smith

by Marie Conway Oemler

"I show you in a little while what iss cabinet-making!" he said proudly. "I do more yet by you," he added charitably, "then make over for you chairs and tables and such, already: I make over for you your little mind."

The old socialist did indeed show us what cabinet-making can be. He turned the office behind the library into a workroom, and from it Sophronisba's tattered and torn and forlorn old things emerged, piece by piece, in shining rosewood and walnut and mahogany majesty. If you love old furniture; if it gives you a thrill just to touch a period chair of incomparable grace, or the smooth surface of an old table, or the curve of a carved sofa, you'll understand Alicia's open rapture and my more sedate delight.

The tiled fireplace in the library was really the feature of Hynds House. There wasn't any mantel: the fireplace was sunk into the wall, and above it and the book-cases on each side was a space filled with more relics than all the rest of the house contained—portraits, signed and framed documents, letters, old flags, and a whole arsenal of weapons. Above the fireplace hung the portrait of Freeman Hynds—thin, dark, austere, more like a Cameronian Scotsman than a Carolina gentleman of an easy habit of life.

However, it was not portrait or relics that made the room remarkable, but the tiles, each a portrait of a Revolutionary hero. Laurens, Marion, Lafayette, Pulaski, von Steuben—there they were in buff and blue, martial, in cocked hats, and with such awe-inspiring noses! The center and largest tile was, of course, the Father of his Country, without the hat, but with the nose, and above him the original flag, with the thirteen stars for the thirteen weak-kneed little states that were to grow into the great empire of freedom that the high-nosed, high-hearted soldiers fought for and founded. Alicia and I touched those tiles with reverence. They were the pride of our hearts.

As often happens in the South, there were bedrooms on the lower floor; two of them, in fact, on one side of the hall. The front one had been not only locked but padlocked; the windows had been nailed on the inside, and heavy wooden shutters nailed on the outside. So long had the room been closed that dry-rot had set in. The silk quilt on the four-poster was falling to pieces, the linen was as yellow as beeswax, and the sheets made one think of the Flying Dutchman's sails. This room was of almost monastic severity: an ascetic or a stern soldier might have occupied it. Besides the bed it contained four chairs, a clothes-press, a secretary, and a shaving-stand. On a small table near the bed were a Wedgwood mortar with a heavy pestle, a medicine glass, and a pewter candlestick turned as black as iron. The press in the corner still held a few clothes, threadbare and sleazy, and in the desk were some dry letters and a Business Book—at least, that's how it was marked—with lists of names, each having an occupation or task set down opposite it, I suppose the names of long-dead slaves. On the fly-leaf was written, in a neat and very legible hand, "Freeman Hynds."

"Sophy!" Alicia's voice had an edge of awe. "This must have been his room. I believe he died here, in this very bed. And afterward they shut the room up; and it hasn't been opened until now."

We looked at the old bed, and seemed to see him there, trying to raise himself, crying out so piteously upon dead Richard's name, only to fall back a dead man himself. What had he wanted to tell, as he lay there dying? His painted face in the library was not a bad man's face. It was proud, stern, stubborn, bigoted; a dark, unhappy face, but neither an evil nor a cruel one. What was it that really lay between those two brothers? After more than a hundred years, we were as much in the dark as they in whose day it had happened and whose lives it had wrecked.

We built a fire in the long-disused chimney to take the dampness out of the room, and forced open the windows to let in the good sun and wind. Over in one corner, pushed in between the clothes-press and the side wall, was, of all things, a prie-dieu; and upon it a dusty Bible with his name on the fly-leaf. Nor was it a book kept for idle show; it plainly had been read, perhaps wept over by a tortured heart, for it fell open at that cry of all sad hearts, the Fifty-first Psalm. I was moving this prie-dieu, when my foot slipped on the bare floor and I dropped it with a crash. Fortunately it was not injured. But what had looked like a mere line of carving on the outer edge of the small shelf—rather a thick and heavy shelf now that one examined it carefully—had been struck smartly, releasing a cunning spring. There opened out a thin slit of a drawer, just big enough to hold a flat book bound in leather and stamped with two letters, "F.H." On the fly-leaf appeared, in his own neat, fine script, "The Diary of Freeman Hynds, Esqr."

The thing seemed incredible, impossible. His own daughter had evidently been unaware of the existence of this book, which he had not had time to destroy. And we, as by a miracle, had fallen upon it—and perhaps the truth!

It was written in so fine and small a hand as was only possible to the users of goose-quill pens; and this tiny, faded, brown writing on the yellowed pages covered a period of years. He had not been one to waste words. Once or twice, as we hurriedly turned the pages, appeared the name "Emily." Mostly it seemed a dry, uninteresting thing, a mere memorandum, where a single entry might cover a whole year.