Alwyn smiled. "I certainly DID!"
"Did it arise from a contemplation of the site of the Ruins of Babylon?"
"Not exactly. Babylon,—or rather the earth-mounds which are now called
Babylon,—had very little to do with it."
"Don't you want to tell me about it?" demanded Tilliers abruptly.
"Not just yet"—answered Alwyn, with good-humored frankness,—"Not to-night, at any rate! But I WILL tell you, never fear! For the present we've talked enough, . . don't you think bed suggests itself as a fitting conclusion to our converse?"
Villiers laughed and acquiesced, and after pressing his friend to partake of something in the way of supper, which refreshment was declined, he preceded him to a small, pleasantly cosy room,—his "guest-chamber" as he called it, but which was really almost exclusively set apart for Alwyn's use alone, and was always in readiness for him whenever he chose to occupy it. Turning on the pretty electric lamp that lit the whole apartment with a soft and shaded lustre, Villiers shook hands heartily with his old school-fellow and favorite comrade, and bidding him a brief but cordial good-night left him to repose.
As soon as he was alone Alwyn took out from his breast pocket a small velvet letter-case, from which he gently drew forth a slightly pressed but unfaded white flower. Setting this in a glass of water he placed it near his bed, and watched it for a moment. Delicately and gradually its pressed petals expanded, . . its golden corolla brightened in hue, . . a subtle, sweet odor permeated the air, . . and soon the angelic "immortelle" of the Field of Ardath shone wondrously as a white star in the quiet room. And when the lamp was extinguished and the poet slept, that strange, fair blossom seemed to watch him like a soft, luminous eye in the darkness,—a symbol of things divine and lasting,—a token of far and brilliant worlds where even flowers cannot fade!
CHAPTER XXXIII.
REALISM.
At the end of about a week or so, it became very generally known among the mystic "Upper Ten" of artistic and literary circles, that Theos Alwyn, the famous author of "Nourhalma" was, to put it fashionably, "in town." According to the classic phrasing of a leading society journal, "Mr. Theos Alwyn, the poet, whom some of our contemporaries erroneously reported as dead, has arrived in London from his tour in the East. He is for the present a guest of the Honorable Francis Villiers." The consequence of this and other similar announcements was, that the postman seemed never to be away from Villiers's door; and every time he came he was laden with letters and cards of invitation, addressed, for the most part, to Villiers himself, who, with something of dismay, saw his study table getting gradually covered with accumulating piles of society litter, such as is comprised in the various formal notifications of dinners, dances, balls, soirees, "at homes," and all the divers sorts of entertainment with which the English "s'amusent moult tristement." Some of these invitations, less ceremonious, were in form of pretty little notes from great ladies, who entreated their "DEAR Mr. Villiers" to give them the "EXTREME honor and pleasure" of his company at certain select and extra brilliant receptions where Royalty itself would be represented, adding, as an earnest postscript—"and DO bring the LION, you know, your VERY interesting friend, Mr. Alwyn, with you!"—A good many such billets-doux were addressed to Alwyn personally, and as he opened and read them he was somewhat amused to see how many who had formerly been mere bowing acquaintances were now suddenly, almost magically, transformed into apparently eager, admiring, and devoted friends.