"No woman's beauty lasts more than a few years,"—said Roxmouth, as he glanced at the various guests who had entered or were entering. "Lady Beaulyon wears well—but she is forty years old, and begins to show it. Margaret Bludlip Courtenay must be fifty, and she doesn't show it—she manages her Paris cosmetics wonderfully. Some of these county ladies would be better for a little touch of her art! But Maryllia Vancourt needs no paint,—she can afford to be natural. Is that the parson?"
Walden was just entering the room, and Longford put up his glasses.
"Yes,"—he replied—"That is the parson. He is not without character."
Roxmouth became suddenly interested. He saw Walden go up to his
hostess and bow—he also saw the sudden smile that brightened
Maryllia's face as she welcomed her clerical guest,—the one
Churchman of the party.
"Rather a distinguished looking fellow,"—he commented carelessly—
"Is he clever?"
Longford hesitated. He had been pulverised in one of the literary weeklies by an article on the authenticity of Shakespeare's plays, signed boldly 'John Walden'—and he had learned, by cautious enquiries here and there in London, that though, for the most part, extremely unassuming, the aforesaid John Walden was considered an authority in matters of historical and antiquarian research. But he was naturally anxious that the future Duke of Ormistoune, when he had secured Mrs. Fred Vancourt's millions, should not expend his powerful patronage to a country clergyman who might, from a 'Savage and Savile' point of view, be considered an interloper. So he replied with caution:
"I believe he dabbles a little in literary and archaeological pursuits,—many parsons do. As an archaeologist, he certainly has merit. You entertain a favourable opinion of the church, he has restored?"
"The church, as I have before told you, is perfect,"—replied Roxmouth—"And the man who carried out such a design must needs be an interesting personality. I think Miss Vancourt finds him so!"
His cold grey eyes lightened unpleasantly as he made this remark, and Marius Longford, quick to discern every shade of tone in a voice, recognised a touch of satire in the seemingly casual words. He made no observation, however, but kept his lynx eyes and ears open, watching and listening for anything that might perchance be of use in furthering his patron's desires and aims.
Walden, meanwhile, had, quite unconsciously to himself, created a little sensation by his appearance. HE was the parson who had dared to stop in his reading of the service because the Manor house-party had entered the church a quarter of an hour behind time,—HE was the man who had told them that it was no use gaining the whole world if they lost their own souls,—as if, in this advanced era of progress, any one of them had souls to lose! Preposterous! Here he was, this country cleric, who, as he was introduced by his hostess to the various gentlemen standing immediately about her, smiled urbanely, bowed ceremoniously, and comported himself with an air of intellectual composure and dignity that had a magnetic effect upon all. Yet in himself he was singularly ill at ease. Various emotions in his mind contended together to make him so. To begin with, he disliked social 'functions' of all kinds, and particularly those at which any noted persons of the so-called 'Smart Set' were present. He disliked women who made capital out of their beauty, by allowing their photographs to be on sale in shop-windows and to appear constantly in cheap pictorials, and of these Lady Beaulyon was a notorious example, to say nothing of the graver sins against morality and principle for which she was renowned. He had no sympathy with sporting or betting men—and he knew by repute that Lord Charlemont and Bludlip Courtenay were of this class. Then again, deep down in his own soul, he resented the fact that Maryllia Vancourt entertained this sort of people as her guests. She was much too good for them, he thought,—she wronged herself by being in their company, or allowing them to be in hers! He watched her as she received part of the 'county' in the Ittlethwaites of Ittlethwaite Park, with a charming smile of welcome for Bruce Ittlethwaite, a lively bachelor of sixty, and for his eldest sister Arabella, some ten years younger, a lady whose portly form was attired in a wonderful apple-green satin, trimmed with priceless lace, the latter entirely lost as an article of value, among the misshapen folds of the green gown, which had been created, no doubt, by some local dressmaker, whose ideas were evidently more voluminous than artistic. And presently, as he stood, a quiet spectator of the different types of persons who were mingling with each other in the casual conversation on current topics and events, which always occupies that interval of time known as the 'mauvais quart d'heure' before the announcement of dinner, he happened to look at Maryllia's own dress, and, noticing it more closely, smiled. It was not the first time he had seen that dress!—and a faint colour warmed his cheeks as he remembered the occasion when Mrs. Spruce had sent for him as a 'man o' God' to serve as a witness to her system of unpacking her lady's wardrobe. That was the dress the garrulous old housekeeper had held up in her arms as though she were a clothes- prop, with the observation, 'It's orful wot the world's a-comin' to- -orful! Fancy diamants all sewed on to a gown!' The gown with the 'diamants' was the very one which now clothed Maryllia,—falling over an underskirt of palest pink satin, it glittered softly about her like dew spangles on rose-leaves—and involuntarily Walden thought of the pink shoes he had also seen,—those absurd little shoes!—did she wear them with that fairy-like frock, he wondered? He dared not look towards the floor, lest he should catch a sudden glimpse of the shining points of that ridiculous but fascinating foot-gear that had once so curiously discomposed him. Those shoes might peep out at any moment from under the 'diamants'—with a blink of familiarity which would be, to say the least of it, embarrassing. His reflections were at this juncture interrupted by a smooth voice at his ear.