"Why do you talk like this so sadly to-night?" she asked—"Has something reminded you of—of HIM?" And she glanced half nervously towards the portrait.

"Yes," answered the old lady, simply—"Something has reminded me—very much—of him! Good-night, dear little child! Keep your beautiful dreams and ideals as long as you can! Sleep well!"

She turned off the lights, and they went upstairs together to their several rooms.

Once alone, Innocent flung off her dainty ball attire,—released her bright hair from the pins that held it bound in rippling waves about her shapely head, and slipping on a loose white wrapper sat down to think. She had to realise the unpleasing fact that against her own wish and will she had become involved in mysteries,—secrets which she dared not, for the sake of others, betray. Her parentage could not be divulged, because her father was Pierce Armitage, the worshipped memory of Miss Leigh's heart,—while her mother, Lady Blythe, occupied a high social position which must not be assailed. And now—now, Amadis de Jocelyn was her lover!—yet no one must know, because he did not wish it. For some cause or other which she could not determine, he insisted on secrecy. So she was meshed in nets of others' weaving, and could not take a step to disentangle herself and stand clear. Of her own accord she would have been frank and open as the daylight,—but from the first, a forward fate appeared to have taken delight in surrounding her with deceptions enforced by the sins of others. Her face burned as she thought of Jocelyn's passionate kisses—she must hide all that joy!—it had already become almost a guilty secret. He was the first man that had ever kissed her since her "Dad" died,—the first that had ever kissed her as a lover. Her mind flew suddenly and capriciously back to Briar Farm—to Robin Clifford who had longed to kiss her, and yet had refused to do so unless she could have loved him. She had never loved him—no!—and yet the thought of him just now gave her a thrill of remorseful tenderness. She knew in herself at last what love could mean,—and with that knowledge she realised what Robin must have suffered.

"To love without return—without hope!" she mused—"Oh, it would be torture!—to me, death! Poor Robin!"

Poor Robin, indeed! He would not have dared to caress her with the wild and tender audacity of Amadis de Jocelyn!

"My love!" she whispered to the silence.—"My love!" she repeated, as she knelt down to say her prayers, sending the adored and idealised name up on vibrations of light to the throne of the Most High,—and "My love!" were the last words she murmured as she nestled into her little bed, her fair head on its white pillow looking like the head of one of Botticelli's angels. Her own success,—her celebrity as a genius in literature,—her dreams of fame—these now were all as naught!—less than the clouds of a night or the mists of a morning—there was nothing for her in earth or heaven save "My love!"

CHAPTER V

Lord Blythe was sitting alone in his library. He was accustomed to sit alone, and rather liked it. It was the evening after that of the Duchess of Deanshire's reception; his wife had gone to another similar "crush," but had graciously excused his attendance, for which he was honestly grateful. He was old enough, at sixty-eight, to appreciate the luxury of peace and quietness,—he had put on an old lounge coat and an easy pair of slippers, and was thoroughly enjoying himself in a comfortable arm-chair with a book and a cigar. The book was by "Ena Armitage"—the cigar, one of a choice brand known chiefly to fastidious connoisseurs of tobacco. The book, however, was a powerful rival to the charm of the fragrant Havana—for every now and again he allowed the cigar to die out and had to re-light it, owing to his fascinated absorption in the volume he held. He was an exceedingly clever man—deeply versed in literature and languages, and in his younger days had been a great student,—he had read nearly every book of note, and was as familiar with the greatest authors as with his greatest friends, so that he was well fitted to judge without prejudice the merits of any new aspirant to literary fame. But he was wholly unprepared for the power and the daring genius which stamped itself on every page of the new writer's work,—he almost forgot, while reading, whether it was man or woman who had given such a production to the world, so impressed was he by the masterly treatment of a simple subject made beautiful by a scholarly and incisive style. It was literature of the highest kind,—and realising this with every sentence he perused, it was with a shock of surprise that he remembered the personality of the author—the unobtrusive girl who had been the "show animal" at Her Grace of Deanshire's reception and dance.

"Positively, I can scarcely believe it!" he exclaimed sotto-voce—"That child I met last night actually wrote this amazing piece of work! It's almost incredible! A nice child too,—simple and perfectly natural,—nothing of the blue-stocking about her. Well, well! What a career she'll make!—what a name!—that is, if she takes care of herself and doesn't fall in love, which she's sure to do! That's the worst of women—God occasionally gives them brains, but they've scarcely begun to use them when heart and sentiment step in and overthrow all reason. Now, we men—"