SHAKESPEARE’S WAR BIRTHDAY IN 1917
NEGLECTED HONOURS
Many of our newspapers devoted columns of matter to “St. George’s Day”; and the writers of the various articles on this subject “gushed” in special and particular fashion over a purely mythical knight, whom legendary lore supposes to have killed a purely mythical dragon. But a very general omission was made of a real and a far greater personage than St. George, whose day of birth and death coincides with that of the dragon-slayer, namely, William Shakespeare, “the beautifullest English soul this England confesses to have made, the pink and flower of remembered Englishmen, the greatest thing, it appears, that we have yet done and managed to produce in this world,” according to right-thinking Thomas Carlyle. America, too, bears witness to the same truth through the golden voice of her noble teacher Emerson, who thus writes: “All the sweets and all the terrors of human lot lay in his mind as truly, but as softly, as the landscape lies on the eye.” He was, and is, our greatest Englishman—our finest patriot—and, when all is said and done, he will be our chief claim to remembrance in history. Very strange has it seemed to thousands of us, especially Americans, that during the present crisis and stress of war the Press of Great Britain should have apparently forgotten to mention the name of perhaps the greatest Maker of England on his natal day. Some one tells us, “It has never occurred before.” Then why has it occurred now?
Had Shakespeare been alive to-day we can easily imagine his attitude in regard to the war. Very English of English, he would have tolerated no half measures. He, like Sir Francis Drake, would have had short shrift for any foe that sought to “raid” the shores of his beloved Britain! Not for him would have been the message of the Vice-Admiral at Dover: “We were fortunate in being able to save the lives of ten German officers and ninety-five men from the vessels which were sunk!” He would have exclaimed: “Out upon such ‘fortune’!” And he might have judged it as somewhat of a misfortune that a British Vice-Admiral lived who could write it down as “fortunate” to rescue any members of the same savage Hun tribe that sank the Lusitania and scruples not to sink hospital ships! Another word might have been found for the occasion; and Shakespeare would have been the man to find it. To Shakespeare’s mind, a friend was a friend—a foe was a foe. Treachery was his chief abhorrence. When he lived in Stratford-on-Avon for the last remaining years of his career we know by various records that he was subjected to many petty annoyances at the hands of his own townsfolk, so that almost up to his death he was involved in litigation, defending himself from libel and his daughter from scandal. The Corporation were ready enough to borrow money of him—yes! that goes without saying. But for sympathy, comprehension, and friendship he had to seek outside his native town altogether. It would seem he has to do that still; and not only has he to go outside his native town, but outside his native land. In America his works are much better known, loved, and honoured than in Great Britain; in France, where it is difficult to understand him owing to the insuperable obstacles of his language for Frenchmen, there is a “société” founded by an erudite Israelite, with a British committee who are entirely unknown as real students of Shakespeare, but who have “names” distinguished in other walks of life. In Russia the bard is viewed as a sort of demi-god, for his verse translates into Russian superbly; and in the Germany of the past Lessing’s translation of the plays made him the father of German literature, as represented by Goethe, Schiller, and others who distinguished themselves before the black night of Hohenzollern decadence. But if we take our own islands—in Scotland he is hardly understood; in Ireland, seldom read or acted; in Wales, almost a sealed book; while in England itself—well, as Martin Harvey has recently said, a quarter of one day’s war expenses would establish a National Theatre, where the great plays could be produced in a fitting manner as part of the national education.
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In Stratford-on-Avon this year’s anniversary of the poet’s birth and death has passed almost unmarked. No actor has urged his willing service to his Master in the theatre by the Avon, though this, for many reasons, is not to be wondered at. True, the bells of the church rang—true, the flags of nations were unfurled, and there was a dolefully shabby “flower” procession; but in the Memorial Theatre there was only a lecture, not on Shakespeare, but on a movement inaugurated by the lecturer himself. Then there were all the usual “pats on the back” of every person to the other concerned, a trifle of music, and there an end. Shakespeare himself was nowhere, though—yes!—perhaps out in the moist woods, where the primroses are beginning to push through the mould and the call of the cuckoo is faintly heard, one might have met his tranquil Spirit moving apart from all “alarums and excursions,” and have heard his voice in words which he could well address just now to England.
“Nay, if you read this line, remember not
The hand that writ it, for I love you so,
That I in your sweet thoughts would be forgot,
If thinking on me then should make you woe.”