"Can you tell me," she asked timidly, "where I shall take a ticket for Hull?"

The man glanced at the fair, anxious face, and smiled good-humoredly.

"You've come to the wrong station, miss," he said. "You want the Midland line."

"The Midland?" Thelma felt more bewildered than ever.

"Yes,—the Midland," he repeated rather testily. "It's a good way from here—you'd better take a cab."

She moved away,—but started and drew herself back into a shadowed corner, coloring deeply as the sound of a rich, mellifluous voice, which she instantly recognized, smote suddenly on her ears.

"And as I before remarked, my good fellow," the voice was saying, "I am not a disciple of the semi-obscure. If a man has a thought which is worth declaring, let him declare it with a free and noble utterance—don't let him wrap it up in multifarious parcels of dreary verbosity! There's too much of that kind of thing going on nowadays—in England, at least. There's a kind of imitation of art which isn't art at all,—a morbid, bilious, bad imitation. You only get close to the real goddess in Italy. I wish I could persuade you to come and pass the winter with me there?"

It was Beau Lovelace who spoke, and he was talking to George Lorimer. The two had met in Paris,—Lovelace was on his way to London, where a matter of business summoned him for a few days, and Lorimer, somewhat tired of the French capital, decided to return with him. And here they were,—just arrived at Charing Cross,—and they walked across the station arm in arm, little imagining who watched them from behind the shelter of one of the waiting-room doors, with a yearning sorrow in her grave blue eyes. They stopped almost opposite to her to light their cigars,—she saw Lorimer's face quite distinctly, and heard his answer to Lovelace.

"Well, I'll see what I can do about it, Beau! You know my mother always likes to get away from London in winter—but whether we ought to inflict ourselves upon you,—you being a literary man too—"

"Nonsense, you won't interfere in the least with the flow of inky inspiration," laughed Beau. "And as for your mother, I'm in love with her, as you are aware! I admire her almost as much as I do Lady Bruce-Errington—and that's saying a great deal! By-the-by, if Phil can get through his share of this country's business, he might do worse than bring his beautiful Thelma to the Lake of Como for a while. I'll ask him!"