The oars dipped noiselessly, and the boat shot forward,—then swerved sharply round in the direction,—and there before them lay a small sandy creek, white and shining as though sprinkled with powdered silver. From this, a small but strongly-built wooden pier ran out into the sea. It was carved all over with fantastic figures, and in it at equal distances, were fastened iron rings, such as are used for the safe mooring of boats. One boat was there already, and Errington recognized it with delight. It was that in which he had seen the mysterious maiden disappear. High and dry on the sand, out of reach of the tides, was a neat sailing-vessel; its name was painted round the stern—The Valkyrie.
As the two friends ran their boat on shore, and fastened it to the furthest ring of the convenient pier, they caught the distant sound of the plaintiff "coo-cooing" of turtle doves.
"You've done it this time, old boy," said Lorimer, speaking in a whisper, though he knew not why. "This is the old bonde's own private landing-place evidently, and here's a footpath leading somewhere. Shall we follow it?"
Philip emphatically assented, and, treading softly, like the trespassers they felt themselves to be, they climbed the ascending narrow way that guided them up from the seashore, round through a close thicket of pines, where their footsteps fell noiselessly on a thick carpet of velvety green moss, dotted prettily here and there with the red gleam of ripening wild strawberries. Everything was intensely still, and as yet there seemed no sign of human habitation. Suddenly a low whirring sound broke upon their ears, and Errington, who was a little in advance of his companion, paused abruptly with a smothered exclamation, and drew back on tip-toe, catching Lorimer by the arm.
"By Jove!" he whispered excitedly, "we've come right up to the very windows of the house. Look!"
Lorimer obeyed, and for once, the light jest died upon his tips. Surprise and admiration held him absolutely silent.
[!-- H2 anchor --] CHAPTER V.
"Elle filait et souriait—et je crois qu'elle enveloppa mon coeur avec son fil."—HEINE.
Before them, close enough for their outstretched hands to have touched it, was what appeared to be a framed picture, exquisitely painted,—a picture perfect in outline matchless in color, faultless in detail,—but which was in reality nothing but a large latticed window thrown wide open to admit the air. They could now see distinctly through the shadows cast by the stately pines, a long, low, rambling house, built roughly, but strongly, of wooden rafters, all overgrown with green and blossoming creepers; but they scarcely glanced at the actual building, so strongly was their attention riveted on the one window before them. It was surrounded by an unusually broad framework, curiously and elaborately carved, and black as polished ebony. Flowers grew all about it,—sweet peas, mignonette, and large purple pansies—while red and white climbing roses rioted in untrained profusion over its wide sill. Above it was a quaintly built dovecote, where some of the strutting fan-tailed inhabitants were perched, swelling out their snowy breasts, and discoursing of their domestic trials in notes of dulcet melancholy; while lower down, three or four ring-doves nestled on the roof in a patch of sunlight, spreading up their pinions like miniature sails, to catch the warmth and lustre.