Vincenzo stooped his head, caught my hand within his own, and kissed it, then left the room abruptly, to hide the tears that my words had brought to his eyes. He was sorry for me, I could see, and I judged him rightly when I thought that the very mystery surrounding me increased his attachment. On the whole, I was glad he had seen me undisguised, as it was a relief to me to be without my smoked glasses for a time, and during all the rest of my stay at Avellino I never wore them once.
One day I saw Lilla. I had strolled up to a quaint church situated on a rugged hill and surrounded by fine old chestnut-trees, where there was a picture of the Scourging of Christ, said to have been the work of Fra Angelico. The little sanctuary was quite deserted when I entered it, and I paused on the threshold, touched by the simplicity of the place and soothed by the intense silence. I walked on my tiptoe up to the corner where hung the picture I had come to see, and as I did so a girl passed me with a light step, carrying a basket of fragrant winter narcissi and maiden-hair fern. Something in her graceful, noiseless movements caused me to look after her; but she had turned her back to me and was kneeling at the shrine consecrated to the Virgin, having placed her flowers on the lowest step of the altar. She was dressed in peasant costume—a simple, short blue skirt and scarlet bodice, relieved by the white kerchief that was knotted about her shoulders; and round her small well-shaped head the rich chestnut hair was coiled in thick shining braids.
I felt that I must see her face, and for that reason went back to the church door and waited till she should pass out. Very soon she came toward me, with the same light timid step that I had often before noticed, and her fair young features were turned fully upon me. What was there in those clear candid eyes that made me involuntarily bow my head in a reverential salutation as she passed? I know not. It was not beauty—for though the child was lovely I had seen lovelier; it was something inexplicable and rare—something of a maidenly composure and sweet dignity that I had never beheld on any woman’s face before. Her cheeks flushed softly as she modestly returned my salute, and when she was once outside the church door she paused, her small white fingers still clasping the carven brown beads of her rosary. She hesitated a moment, and then spoke shyly yet brightly:
“If the eccellenza will walk yet a little further up the hill he will see a finer view of the mountains.”
Something familiar in her look—a sort of reflection of her mother’s likeness—made me sure of her identity. I smiled.
“Ah! you are Lilla Monti?”
She blushed again.
“Si, signor. I am Lilla.”
I let my eyes dwell on her searchingly and almost sadly. Vincenzo was right: the girl was beautiful, not with the forced hot-house beauty of the social world and its artificial constraint, but with the loveliness and fresh radiance which nature gives to those of her cherished ones who dwell with her in peace. I had seen many exquisite women—women of Juno-like form and face—women whose eyes were basilisks to draw and compel the souls of men—but I had never seen any so spiritually fair as this little peasant maiden, who stood fearlessly yet modestly regarding me with the innocent inquiry of a child who suddenly sees something new, to which it is unaccustomed. She was a little fluttered by my earnest gaze, and with a pretty courtesy turned to descend the hill. I said gently:
“You are going home, fauciulla mia?”