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FEATHER STAR
Made about 1850. Colours: blue and white
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DRUNKARD’S PATH
A modern quilt after an old pattern. Colours: light blue and white
In direct contrast to the long inventories of beautiful and valuable clothing, bedcovers, and hangings of the rich, are the meagre details relating to the life and household effects of the landless English peasant. In all probability he copied as far as he was able some of the utilities and comforts used by his superiors. If he possessed a cover for his bed, it was doubtless made of the cheapest woven material obtainable. No doubt the pieced or patched quilt contributed materially to his comfort. In “Arts and Crafts in the Middle Ages,” Julia de Wolf Addison describes a child’s bed quilt included in an inventory of furniture at the Priory in Durham in 1446, “which was embroidered in the four corners with the Evangelistic symbols.” In the “Squier of Lowe Degree,” a fifteenth-century romance, there is allusion to a bed of which the head sheet is described as embroidered “with diamonds and rubies bright.”
It was during the gorgeous reign of Henry VIII that the finest specimens of combined embroidery and patchwork, now preserved in various museums, were made. It was really patch upon patch, for before the motives were applied to the foundation they were elaborately embroidered in intricate designs; and after being applied, they had their edges couched with gold and silver cord and ornate embroidery stitches. Mrs. Lowes relates in “Old Lace and Needlework” that, during the time of Henry VIII, embroidery, as distinct from garment making, appeared; and every article of wearing apparel became an object worthy of decoration. “Much fine stitching was put into the fine white undergarments of that time, and the overdresses of both men and women became stiff with gold thread and jewels. Much use was made of slashing and quilting, the point of junction being dotted with pearls and precious stones. Noble ladies wore dresses heavily and richly embroidered with gold, and the train was so weighty that train bearers were pressed into service. In the old paintings the horses belonging to kings and nobles wear trappings of heavily embroidered gold. Even the hounds, which are frequently represented with their masters, have collars massively decorated with gold bullion.”