In connection with the display of needlework at rural fairs, it is interesting to note how ancient is this custom. In the “Social History of Ancient Ireland” is the following description of an Irish fair held during the fourth century—long before the advent of St. Patrick and Christianity: “The people of Leinster every three years during the first week of August held the ‘Fair of Carman.’ Great ceremony and formality attended this event, the King of Leinster and his court officiating. Music formed a prominent part of the amusement. One day was set apart for recitation of poems and romantic tales, another for horse and chariot racing. In another part of the Fair people indulged in uproarious fun, crowded around showmen, jugglers, clowns with painted faces or hideously grotesqued masks. Prizes publicly presented by King or dignitary were given to winners of various contests. Needlework was represented by ‘the slope of the embroidering women,’ where women actually did their work in the presence of spectators.”

A very important factor in the recent revival of interest in quilts has been the springing up of impromptu exhibits as “benefits” for worthy causes, the raising of funds for which is a matter of popular interest. Does a church need a new roof, a hospital some more furnishings, or a college a new building? And have all the usual methods of raising money become hackneyed and uninspiring to those interested in furthering the project? To those confronted with such a money-raising problem the quilt exhibition offers a most welcome solution. For not only does such an exhibition offer a new form of entertainment, but it also has sources of interesting material from which to draw that are far richer than commonly supposed.

Not so very long ago “The Country Contributor” undertook the task of giving a quilt show, and her description of it is distinctly worth while:

“My ideas were a bit vague. I had a mental picture of some beautiful quilts I knew of hung against a wall somewhere for people to come and look at and wonder over. So we announced the quilt show and then went on our way rejoicing. A good-natured school board allowed us to have the auditorium at the high school building for the display and the quilt agitation began.

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AS GOLDEN BUTTERFLIES AND PANSIES

Are so often playmates of little ones in the garden, and beloved by them, they were chosen for the motifs of this child’s quilt

“A day or two before the show, which was to be on a Saturday, it began to dawn upon me that I might be buried under an avalanche of quilts. The old ones were terribly large. They were made to cover a fat feather bed or two and to hang down to hide the trundle bed underneath, and, though the interlining of cotton was very thin and even, still the weight of a quilt made by one’s grandmother is considerable.