A search engine was set up for the digital library. "As larger works come online, they will also have small search pages made for them alone - for instance, Capital will have a search page for that work alone."
The Biographical Archive gave access to biographies of Marx and Engels, as well as short biographies and photographs of their family members and friends. The Photo Gallery gathered photos of the Marx and Engels clan from 1839 to 1894, and their dwellings from 1818 to 1895, with "many more to come". The section “Others” included a list of works from all Marxist writers, for example James Connolly, Daniel DeLeon and Hal Draper, as well as a short biography. The Non-English Archive listed the works of Marx and Engels freely available online in other languages (Danish, French, German, Greek, Italian, Japanese, Polish, Portuguese, Spanish and Swedish). It seems that the project was later renamed the Marxists Internet Archive.
= Library treasures go online
Libraries began digitizing their treasures, and putting the digital versions on the web for the world to enjoy. The British Library was a pioneer in this field. One of the first digitized treasures was Beowulf, the earliest known narrative poem in English, and one of the most famous works of Anglo-Saxon poetry. The British Library holds the only known manuscript of Beowulf, dated circa 1000. The poem itself is much older than the manuscript - some historians believe it might have been written circa 750. The manuscript was badly damaged by fire in 1731. 18th-century transcripts mentioned hundreds of words and characters which were then visible along the charred edges, and subsequently crumbled away over the years. To halt this process, each leaf was mounted on a paper frame in 1845.
Scholarly discussions on the date of creation and provenance of the poem continue around the world, and researchers regularly require access to the manuscript. Taking Beowulf out of its display case for study not only raised conservation issues, it also made it unavailable for the many visitors who were coming to the British Library expecting to see this literary treasure on display. Digitization of the manuscript offered a solution to these problems, as well as providing new opportunities for researchers and readers worldwide.
The Electronic Beowulf Project was launched as a database of digital images of the Beowulf manuscript, as well as related manuscripts and printed texts. In 1998, the database included the fiber-optic readings of hidden characters and ultra-violet readings of erased text in the manuscript; the full electronic facsimiles of the 18th-century transcripts of the manuscript; and selections from the main 19th-century collations, editions and translations. Major additions to the database were planned for the following years, such as images of contemporary manuscripts, links to the Toronto Dictionary of Old English Project, and links to the comprehensive Anglo-Saxon bibliographies of the Old English Newsletter.
The database project was developed in partnership with two leading experts in the United States, Kevin Kiernan, from the University of Kentucky, and Paul Szarmach, from the Medieval Institute of Western Michigan University. Professor Kiernan edited the electronic archive and supervised the making of a CD-ROM with the main electronic images.
Brian Lang, chief executive of the British Library, explained on its website in 1998: "The Beowulf manuscript is a unique treasure and imposes on the Library a responsibility to scholars throughout the world. Digital photography offered for the first time the possibility of recording text concealed by early repairs, and a less expensive and safer way of recording readings under special light conditions. It also offers the prospect of using image enhancement technology to settle doubtful readings in the text. Network technology has facilitated direct collaboration with American scholars and makes it possible for scholars around the world to share in these discoveries. Curatorial and computing staff learned a great deal which will inform any future programmes of digitization and network service provision the Library may undertake, and our publishing department is considering the publication of an electronic scholarly edition of Beowulf. This work has not only advanced scholarship; it has also captured the imagination of a wider public, engaging people (through press reports and the availability over computer networks of selected images and text) in the appreciation of one of the primary artefacts of our shared cultural heritage."
Other treasures of the British Library were available online as well: "Magna Carta", the first English constitutional text, signed in 1215, with the Great Seal of King John; the "Lindisfarne Gospels", dated 698; the "Diamond Sutra", dated 868, sometimes referred to as the world's earliest print book; the "Sforza Hours", dated 1490-1520, an outstanding Renaissance treasure; the "Codex Arundel", a notebook from Leonardo Da Vinci, in the late 15th or early 16th century; and the "Tyndale New Testament", as the first print version in English by Peter Schoeffer in Worms.
New treasures followed. The digitized version of the Bible of Gutenberg was available online in November 2000. Gutenberg printed its Bible in 1454 or 1455 in Germany, perhaps printing 180 copies, with 48 copies still available in 2000, and three copies - two full ones and one partial one - at the British Library. The two full copies - a little different from each other - were digitized in March 2000 by Japanese experts from Keio University of Tokyo and NTT (Nippon Telegraph and Telephone Communications). The images were then processed to offer a full digital version on the web a few months later.