106. Saint-Jean-le-Thomas. The Romanesque murals, in the south wall of the nave. In this country scene, with wheat ears visible on the left, a figure wearing a large cloak holds a flask and pours wine in a cup held by another figure. On the right, a third figure holding a tillage tool is partly erased. Photo by Alain Dermigny. [Alain-055]
107. Saint-Jean-le-Thomas. The Romanesque murals, in the south wall of the nave. The third painting, of which much has disappeared, is the struggle between a figure with a cloack whose head is surrounded with a halo and another armored figure who seems to be on the ground. This could be St. Michael's struggle against the Devil, according to abbot Porée, pastor of the church at the time of the discovery of the murals in 1974. Photo by Alain Dermigny. [Alain-056]
108. Saint-Jean-le-Thomas. The Romanesque murals, in the south wall of the nave. Situated between the country scene and the fight scene, this detail shows that the mural was painted directly on the lime plaster, which explains the clear background. Photo by Alain Dermigny. [Alain-057]
