"Say, Prue, you are fond of Stanhope? You—you aren't making a mistake, are you? Because if you are I should think you would see what all this is to me," he said. "I don't understand how you can help knowing that kind of caring doesn't comfort a fellow much, not if you've felt the other kind of love yourself."

"I'm not making a mistake, Bart dear. I'm as fond of you as I can be, but Mr. Stanhope is ever so much older than I am, and it's quite, quite different. We are chums, Bart, and we shall be always, shall we not?" Prue held out her hand with a cheerful kindness that made Bartlemy catch his breath as he took the little white thing that seemed to understand as well as the girl's brain did what she was denying and what she was offering him.

"It isn't likely that I shall change much to you," he said, and even Prue saw the mute misery he was trying to hide.

"It's only because I am pretty and you are an artist, Bartlemy; if it wasn't for that and my being the youngest, the one you always walked and talked with most, you would not care more for me than for Rob—everybody admires Rob. You mustn't imagine that you are unhappy, Bart dear, because that would distress me beyond anything. You won't mind, will you? And if we should be in Florence we'd have the nicest times, don't you think we should? I mean if we met there? Because we're like Joe Gargery and Pip: 'Ever the best of friends,' aren't we, dear Bartlemy—chum?" And Prue smiled, radiant in her beauty with the breeze dappling her faultless face with the shadows of the branches. She thought privately that she was showing wonderful skill and insight in the difficult task of adjusting her best friend and first lover, tactfully giving him the clue to their future intercourse.

Bartlemy seemed less pleased with the interview. He was wise enough to see that no mere protestations on Prue's part could so effectually deny him hope of winning her as did her careless indifference, her childish lack of understanding of how hard it was for him to stand there with her smiling at him, forever out of reach.

"I think I'll go home, Prue," he said a trifle unsteadily. "You're going up to Mrs. Hasbrook. Good-bye, Prue."

"Good-bye, Bartlemy? Well, till to-night then. We shall see you after tea. Good-bye," said Prue still smiling, but with a troubled look creeping over her face as she watched Bartlemy gather together his painting tools and walk slowly down the hill without looking back. For she guessed that the picture would never be finished; that for the young painter of whom she was, in her insufficient way, so very fond, "My Lady June" would remain but a sketch upon the canvas, symbol and reminder of his first romance.

Bruce went alone to the little grey house that evening. Bartlemy remained with his father till late at night, and when they parted with the handshake which spoke them friends as well as father and son, it was arranged that Bartlemy should at once go away to begin the European study to which he had been looking forward throughout his college days, though then he had not meant to go alone.

Commodore Rutherford was to go with the lad as far as England, possibly into France. It was all so sudden that the Greys had hardly time to adjust their minds to the fact that Bartlemy was going before he came to say good-bye. Basil and Wythie were at home and this first real break in the sextette of beautiful comradeship, as well as their disappointment in its cause, threw a shadow over the other five who without Bartlemy would be so incomplete.