“I must tell you that I had made sure that there was no article in the house belonging to the tenant, Mr. West, as he called himself; everything was accounted for in the inventory and belonged to Mr. Mill, the owner. It became clear to me that West must have taken the place for a definite purpose other than the usual one of living in it, and since I knew that it had been occupied on Monday evening, his object doubtless fulfilled itself then in a terrible manner and he probably fled from the scene of his crime the moment he had, to the best of his ability, removed all traces of it. In his haste he had left the little spangles which had scattered themselves in the wake of his victim; and, though he cleaned up the dustpan as if he feared it should tell tales in spite of the precautionary gloves, he seemed to have thought the broken glass could not betray him, or else, perhaps, he had no time to dispose of it. But, if he had left nothing behind him, it looked as if he had taken something away.

“The chairs and sofas in the drawing-room were provided with loose chintz covers, with one exception. There was a small sofa which stood opposite the door naked and unashamed, in all the hideousness of the original, ugly upholstery. Not only was the tapestry which covered it of a meretricious nineteenth-century design, quite out of keeping with the good taste displayed all over the house in the choice of pattern and decoration, but the legs and arms, which were very much in evidence, were made of brown varnished wood peculiarly objectionable in appearance. It seems to me in the last degree unlikely that in a room so full of beauty and quiet refinement this one thing should have been allowed to flaunt its vulgarity, and hold the eye of the visitor with an awful fascination. I felt convinced that West was responsible for its nakedness, and it was quite likely that he, a man doubtless devoid of any artistic sense, would imagine that the absence of that cover might pass unnoticed, as the tapestry resembled the chintzes in general colouring.”

“But why should he remove it? What could he want with a loose chintz sofa cover?” asked Sidney, as the detective paused.

“I asked myself these questions,” continued Gimblet, “and I saw that there were only two explanations which met all the facts. It might be that the chintz bore traces of his crime that at all costs must be destroyed; it might be, for instance, stained with blood. But in that case he would probably have tried to burn it; that would be a difficult job, and there was no sign of a fire having been lighted lately in any of the grates. No coal in the cellar and no firewood. He would have needed brushes and blacking to make all ship-shape again, and his grate cleaning would probably have been amateurish. Or he might have had a use for the chintz. It would be a handy thing to wrap a dead body in before carrying it out to the grave he would dig for it in the garden. For it seemed to me certain that after killing his victim he would have buried her in the garden. There was a toolshed at the end of it, and I hunted there for a spade that should show signs of recent use; but to my surprise there was no spade at all.

“By this time it was dark and late, and I returned to the house with the intention of deferring till to-morrow a search for the grave, which I felt sure of finding if it was there. I had little hope that the poor lady had escaped, but it was still quite possible that my theories were mistaken, and that even the signs of vitriol having been used were capable of some other interpretation; and I gladly admitted to myself that I had no actual proof of foul play. And then, just as I was on the point of knocking off for the night, an elusive memory that had been troubling me ever since I entered the house suddenly flashed clearly into conscious recollection, and I knew that I had made no mistake.

“When I opened the drawing-room door for the first time I had been aware of a faint odour, which I seemed to catch a whiff of as it passed me, so to speak, and to lose again immediately. During the second in which I perceived it, its name was on my tongue, but before I could utter it the smell was gone and with it my knowledge of what it was. I racked my brains to remember it without the least result; but, though I gave up the attempt and concentrated every effort on investigating what was apparent to my other senses, the thing bothered me, and I did not entirely forget it. As I stood in front of the house after my vain search for a spade, it suddenly flashed into my mind what it was that I had smelt: it was the never to be mistaken smell of chloroform.

“I was staring absently up at the balcony of the drawing-room when the knowledge came to me, and in an instant another light dawned on me with equal suddenness. There was a great box or stand for plants on the balcony, and the neighbour who had given me some information as to the tenant had remarked that the mistress of the house would be sad to see her flowers so neglected. Indeed, they were all faded and withered, and he had implied that it was for want of water. Now, the thought that leapt into my brain as swift and as illuminating as lightning was this one: Why should the flowers die for want of water when we have had constant rain for the last two days? Clearly it was not drought that they were suffering from. But how if the soidisant West, having cruelly murdered your unfortunate aunt, proceeded to uproot the flowers and to bury her, wrapped in the sofa cover, in the flower stand? It was quite large enough for such a purpose, and if he had then replanted the flowers it was probable enough that they would feel the effects of his attempt at gardening.

“I went up at once and put this theory to the test. I am very sorry to say that it proved to be correct in every detail.”

Gimblet ceased speaking, and Sidney, who had listened in sad silence, lifted his head, and asked a question.

“The vitriol? They had used it—as you thought?” His voice was hoarse, and his face stern and grim.