Mrs. Vanderstein's jewels

by Marion Bryce

Mr. Gimblet lived in a flat in the neighbourhood of Whitehall. It was a fad of his to be more comfortably housed than most solitary men. The situation was conveniently near to Scotland Yard, where officials were much in the habit of requiring to see him at odd moments. The view from the windows, overlooking the river, was delightful to one of cultivated and artistic propensities, and the rooms, large and well-proportioned, were capable of displaying to advantage the old and valuable pictures and furniture with which it was the detective’s delight to surround himself.

Much of his time was spent in curiosity shops, and he was among the first to discover that former happy hunting ground of the bargain seeker—the Caledonian market. Many an impatient member of the Force, sent round from the “Yard” to ask Mr. Gimblet’s assistance in some obscure case, had, after kicking his heels for an hour or two in the hall, left the flat in desperation, only to meet the detective coming up the stairs with a dusky, dust-covered picture in his hand, or hugging to his breast a piece of ancient china.

The younger son of a Midland family, which had moderately enriched itself in the course of the preceding century by commercial transactions in which a certain labour-saving machine for the weaving industries had played a large part, Mr. Gimblet had received the usual public school education, and had spent two or three subsequent years at Oxford. His artistic propensities had always been strongly marked, but his family showing much opposition to his becoming an artist, and he himself having a modest idea of his own genius and doubting his ability to make his way very high up the ladder of success by the aid of talent which he knew to be somewhat limited, he had ended by going into an architect’s office, where he had worked with interest and enjoyment for several more years. It was by accident that he discovered his capacity for tracking the most wary of criminals to his hiding place and for discovering the authors of mysterious and deeply plotted crimes. It happened that a workman employed in the building of a house for which Gimblet had provided the design was found murdered in circumstances as peculiar as they were sinister. There appeared to be no clue to the author of the deed, and after a week or two the official investigators had confessed among themselves that they were completely at a loss.

To Gimblet, visiting the scene of the crime in his capacity of architect—but not without an unwonted and hitherto unknown quickening of the pulse—a piece of board nailed upright where it should have been horizontal had proved immediately suggestive; and its removal had brought to light certain hastily concealed objects, which with one or two previously unnoticed trifles had resulted in the capture and ultimate hanging of the murderer.

This success had led the young man to feel an interest in other mysterious affairs of the same nature; and it was not long before he found the task of assisting the police in such researches so much more profitable and engrossing than his work as an architect, that he gradually came to give more and more of his leisure to the attempt to discover secrets and to solve problems which at first sight seemed to offer no solution. By the time he was thirty there was scarcely a crime of any importance that he was not called upon to assist in bringing home to its perpetrator; and he had entirely abandoned the pursuit of architectural learning for that of criminal mankind.

He refused an invitation to become attached to the official staff, although this was conveyed in terms that were in the highest degree flattering, preferring to be at liberty to decide for himself whether or no he should take up a case. It was the sensational and odd that attracted him; and he found that quite enough of this came his way to make his occupation an extremely profitable one.

Early on Tuesday afternoon Gimblet sat in his dining-room, contemplating with some satisfaction a large dish of strawberries and a pot of cream sent him by a Devonshire friend. He was finishing a luncheon which he considered well earned, as that morning he had discovered in a narrow back street in Lambeth, and purchased for a mere song, a little picture black with age and dirt, in which his hopeful eye discerned a crowd of small but masterfully painted figures footing it to the strains of a fiddle upon the grass under a spreading tree. Gimblet told himself that it was in all probability from the brush of Teniers, and he had propped it on the dining-room mantelpiece so that in the intervals of eating he could refresh his eyes as well as his body. Beside him lay the day’s paper which he had hardly had time to read before going out that morning. He heaped cream upon his strawberries, sprinkled them with sugar, and took, in succession, a spoonful of the mixture, a look at his picture, and a glance at the paper. With a contented sigh he repeated the process.

At the moment he had no work in hand, and no one more thoroughly enjoyed an occasional loaf.

It was good, he felt, to have nothing to do for once; to have time to idle; to eat greedily delicious food; to spend as many hours as he chose in the dusty recesses of second-hand shops; to do a little painting sometimes; even to be able to arrange beforehand to play a game of golf. Gimblet had an excellent eye, and had been rather good at games in early days. He seldom had time now and, if he did go down to a golf ground occasionally in the afternoons, had to resign himself to play with anyone he could find, as he never knew till the last minute whether he would be able to get away.