“That’s your modesty. But, as you see, I’m prosperous. And it isn’t after the reward that I’ve come. Not that I’ll deny that the money would always be useful. Still, it’s the ad. I’m thinking about. Will you put my name in the paper now? ‘Miss Seraphina Finner of the Inanity brings news of the missing ladies.’ That’s what I’d like to see, right across a poster.”
A flicker of interest showed itself for an instant on Gimblet’s face. “So that’s it,” he said to himself.
Aloud he answered: “I don’t know whether I can promise you that just yet. It rather depends, you know. But if I am called upon to send any communication on the subject to the press, you may be sure that, if possible, your name shall be inserted.”
Seraphina pouted. “I call that stingy,” she complained. “He might put us on a poster, Pompom, mightn’t he? He’s an unkind, cruel man, he is.”
“What do you know of the missing ladies?” asked Gimblet, disregarding these observations.
Miss Finner assumed an air of importance. “I didn’t know anything about it till lunchtime,” she said. “Not being what you’d call an early riser, it’s not often I take a squint at the newspapers unless it’s in the afternoon. But to-day a friend came to see me and we had lunch together. By and by she begins talking about one thing and another, and presently she says: ‘Have you read about these ladies that have disappeared?’ So I said no, what was it, and she said: ‘What! haven’t you seen the paper? There’s an exciting bit about them in this morning’s Crier.’ When she’d told me all she could remember, I began to get interested. I had a feeling, you know, as if this was in my part. So I sent out for a paper, and they brought in one of the evening editions which had the reward and description of the ladies in it, as well as everything, or so my friend said, that the Crier had. I read it all out loud, and when I came to the part about wearing a white dress with mauve cloak heavily embroidered and a large amount of valuable jewellery, I said to myself: ‘This, Seraphina, my dear, is where you walk on.’ By the time I’d finished the paragraph I was certain sure. It was just a fluke,” said Miss Finner reflectively, “that I ever saw that description or heard anything about it at all, for, as I say, I don’t look at the papers more than about once in a fortnight, unless it’s the notices of a new show.”
Gimblet’s murmured comment might have passed for astonishment, agreement, or merely encouragement to proceed. He thought it best to let her tell her story in her own way.
“It’s a funny thing,” she went on after a moment’s silence; “it seems somehow as if it was meant to be, doesn’t it? Well, the reason why I felt so excited, when I read the description, was because I had seen the ladies later than anyone else. I saw them on Monday night, after they left the opera.”
“And where did you see them?” asked Gimblet, bending over the cat, which, having finished the cream, was rubbing itself in a friendly fashion against his leg, where it left a covering of white hairs on his dark trousers. “Poor pussy,” he said, stroking it.
“I was driving home from the theatre in a taxi,” said Seraphina. “I live up in Carolina Road, N.W. I don’t suppose you know it; up beyond Regent’s Park, to the right, as you may say, of Maida Vale. It was a very hot, sultry night, you remember, and I’d got the cab open so as to get a little air. I was tired for some reason—it’s not often you can tire me—and I put my head back, and my feet on one of the back seats, and as near as possible went off into a snooze. That’s why I can’t tell you exactly which street it was in, and I’m afraid that makes it very awkward.” Miss Finner’s voice was full of regret.