"I thought there was an arrangement to that effect;" said he, sneeringly.
"I addressed a note to him which made his call unnecessary."
"I do not presume to meddle with your correspondence, Miss Ross;" with "immense" stiffness; "but I trust neither my name, or that of my daughter was contained in that communication."
"I am responsible for my actions, sir; it is certain I never thought of referring them to your influence. I suppose Mr. Dermott is satisfied,—I am."
[CHAPTER V.]
Mr. Purcell, himself an able connoisseur and liberal patron of the fine arts, never suffered a suitable occasion to pass, without endeavoring to implant, and cultivate like tastes in his pupils. No "Exhibition" or Collection was recommended unadvisedly. He justly considered a relish for a vicious or false style, worse than none. So well was this known, that the girls were equally eager to examine what he esteemed worthy of their inspection, and to avoid that which he condemned. An artist visited the city, and advertised a set of "choice paintings, on exhibition for a few days." They were much talked of, and the scholars impatiently listened for the verdict of their principal. There were many smiling faces, when he announced, that he accepted, with pleasure, the polite invitation of the artist to himself and the members of his school. "The pictures were the work of a master hand;—he recommended them to their careful study." That afternoon, the studio was full. Some went from curiosity; some to be in the fashion; comparatively a small number through genuine love for the art. Among the latter class was Ida Ross. Bestowing little notice upon her acquaintances present, she passed around the room, intent upon the object which had drawn her thither. She was not disturbed; her reserve repelled, and her intellectual superiority awed; she knew—and they knew that though with, she was not of them; as an institution, they were proud of her; as individuals, with a very few exceptions, they disliked and envied her.
The proprietor, or a gentleman, supposed to be he, was at a desk, writing. He must have possessed the power of abstraction in an extraordinary degree; for the chattering about him resembled the confabulations of a flock of magpies, more than the conversation of decorous young ladies. Groups came and departed; and Ida did not mark the changes, until, diverted from the contemplation of a splendid landscape by the sound of her own name,—she perceived a group near by, composed of four or five girls and as many young men, none of them her well-wishers or admirers;—their attention divided between herself, and a sketch of St. John's church. Josephine was the magnet of the circle, and behind her, was the smirking Pemberton. A single glance took in all this, and features and expression were immobile as before. It was Josephine's voice she had heard;—its tones higher than usual. She neither desired, nor affected concealment.
"As I was saying, the church-yard has been converted into a gymnasium. The cry is no longer, 'Liberty or Death!'—but 'Leap Frog or die!'"
A general cachinnation applauded this felicitous hit.