"I am much obliged to Miss Jessie and to you, my good girl; but I shall run no risk in going down to the village. Say to Miss Jessie that she will hear from, or see me again before night."
Three hours later, a messenger brought a note, inquiring how Jessie was, and if she would be quite able to see him in the evening.
"For I must return to Hamilton to-morrow," he added.
Jessie wrote one line in reply:
"I am up and well. Come whenever you please.
Gratefully,
J. K."
His pleasure was to delay the visit until twilight. Perhaps he had a difficult programme to arrange; perhaps he wanted to give Jessie time to recover strength and composure, or he may have thought that delay would enhance the value of his society. On the legal principle he had enunciated when Roy's prior engagement was under discussion, we ought to accept his own explanation of his tardiness.
"I could not come earlier," he said very gravely, in reply to Jessie's faltered gratitude and fears that he had suffered from the morning's adventure. "You needed rest and quiet, and I have been unhinged all day—mentally, I mean. Don't thank me again! You don't know how like mockery phrases of acknowledgment from you to me sound. Sit down. You are still weak and nervous. You are trembling all over."
If she was, it was not from cold or debility. He placed her in an armchair, brought a shawl from the hall, and folded it about her; turned away abruptly, and walked the room in a silence she had neither words nor courage to break. The piano stood open as he had left it in the morning. He stopped before it on his tenth round, seated himself, and began a prelude. Then he sang the ballad she had crooned in the amber sunset, so many, many months ago! while he listened without, and tore the hearts out of Eunice's roses.
He gave the first verse with tenderness that was exquisite; rendered the musing ecstasy of the dream with beauty and expression that thrilled the auditor with delicious pain. This deepened into agony under the passionate melancholy of the last stanza: