The rich woman was born and brought up in New York City; the farmer's wife in Indiana.
They were as far apart in education and social station as if they had belonged to different races and had lived in different hemispheres.
They were as near akin in circumstances and in suffering as if they had been twin sisters, and brought up under the same roof.
The husband of one wrote "Honorable" before his name, and reckoned his dollars by the million. He was, moreover, a man of imposing deportment, bland in manner and ornate in language. As riches increased he set his heart upon them and upon the good things that riches buy. He had four children, and he erected ("built" was too small a word) a palatial house in a fashionable street.
Each child had a suite of three rooms. Each apartment was elaborately decorated and furnished. The drawing-rooms were crowded with bric-a-brac and monuments of the upholsterer's ingenuity. It was a work of art and peril to dust them every day. He developed a taste for entertaining as time went on and honors thickened upon him, and he mistook, like most of his guild, ostentation for hospitality. Every dish at the banquets for which he became famous was a show piece. He swelled with honest pride in the perusal of a popular personal paragraph estimating the value of his silver and cut glass at $50,000.
The superintendent, part owner, and the slave of all this magnificence was his wife. She was her own housekeeper, and employed, besides the coachman, whose business was in the stables and upon his box, five servants. There were twenty-five rooms in the palatial house, giving to each servant five to be kept in the spick-and-span array demanded by the master's position and taste. As a matter of course something was neglected in every department, the instinct of self-preservation being innate and cultivated in Abigail, Phyllis and Gretchen, "Jeems" and "Chawls." Even more as a matter of course, the nominal mistress supplemented the deficiencies of her aids.
The house was as present and forceful a consciousness with her as his Dulcinea with David Copperfield at the period when the "sun shone Dora, and the birds sang Dora, and the south wind blew Dora, and the wild flowers were all Doras to a bud." No snail ever carried her abode upon her back more constantly than our poor rich woman the satin-lined, hot-aired and plate-windowed stone pile, with her. The lines that criss-crossed her forehead, and channeled her cheeks, and ran downward from the corners of her mouth, were hieroglyphics standing in the eyes of the initiated for the baleful legend—
"House and Housekeeping."
When she drove abroad in her luxurious chariot, behind high-stepping bays, jingling with plated harness, or repaired in the season to seashore or mountain, she was striving feebly to push away the tons of splendid responsibility from her brain.
One day she gave over the futile attempt. Something crashed down upon and all around her, and everything except inconceivable misery of soul was a blank.