So they all linked arms, and made their way home, where Martha was waiting up for them with a jug of hot milk.
CHAPTER XII
IN WHICH ELIZABETH BAGG PAINTS A PICTURE
AND ISOBEL HEARS SOME PLEASANT NEWS
Pamela's friendship with the Bagg family developed rapidly, and she became a frequent visitor to 'Alice Maud Villa'—much to Isobel's amazement; Isobel was more than amazed, she was scandalized.
"I simply can't understand Pamela," confided Isobel to Caroline. "What can she find in those Baggs? Even if Elizabeth Bagg can sketch a bit—it's no excuse; they're not the sort of people Pamela should like to mix with. After all, Tom Bagg is only the village cabman! You can't get away from the fact, can you now? You know what I mean—they're not Pamela's sort somehow—I really am surprised at her taste."
But Isobel never said anything like this to Pamela. There was a certain air about Pamela at times that even Isobel respected, an air which, in the present case, made Isobel feel instinctively that Pamela would not brook any interference with her friendship with Elizabeth Bagg. So Isobel did not criticize openly Pamela's attitude toward the Baggs; but she criticized, and wondered, and was amazed in private to Caroline, whenever she thought fit.
There were two things that Isobel was trying to avoid. One was meeting old Silas Sluff in the garden, and the other was, asking any more questions of Beryl. To avoid old Silas was fairly easy, as he seemed to be trying to keep out of her sight as much as possible. To refrain from questioning Beryl was hard at first, but, although at times intensely curious about some incident or other in connection with Beryl, Isobel remembered that she must be a sport, and managed to keep her tongue quiet. It needed a great effort sometimes, but she succeeded, which must certainly be put down to Isobel's credit.
As far as Pamela was concerned Isobel's approval or disapproval of her friendship with the Baggs never worried her in the least. The matter never even crossed her mind. She spent many happy hours in Elizabeth Bagg's 'studio' watching Elizabeth paint, or finishing a sketch of her own, helped on by valuable hints and suggestions from Elizabeth, who greatly encouraged Pamela in her work; just as Pamela helped Elizabeth by her interest and genuine admiration for Elizabeth's painting.
Sometimes, when they were both at work in the studio, Pamela would begin to argue with Elizabeth over her attitude toward her brother Tom and his views on her painting.
"He's no right to call it 'wasting time,'" Pamela would protest. "He ought to be made to understand what splendid work you are doing—valuable work, too, if I'm not mistaken."