‘Ride a cock horse,
To Banbury Cross,
To see what money can’t buy!’

“They get life so crookedly from servants and such,” he added. “Phœbe and I just try to straighten them out.”

The process by which these two rare souls accomplished this straightening out was quite their own. There was only one extra teacher, a Frenchwoman who came from Boston twice a week. For the rest, Mr. and Mrs. Benjamin conducted the school, and did all the teaching.

During October and November, and again in late April and May, lessons were all out of doors. The whole school studied Botany and Zoology with Mr. Benjamin. They wandered over the hills, on the brisk autumn days, with their boxes and cases and bottles for specimens. These lessons were a series of enchanted tales to Isabelle, of how the life force persists in bugs and plants. The whole morning on certain days of the week would be devoted to this peripatetic grazing, then note books would be written up before lunch.

This function was also a lesson. Certain girls took charge of it each day—planned, ordered, prepared and cooked the meal, in the open, over a gypsy fire. The girls in charge were limited in expenditure, and there was great rivalry among them to find something new and toothsome to make in the skillet or the big kettle. Careful accounts were kept by each set of managers, and if, at the end of the school term, there was credit balance, a special party was given on the savings.

A second committee took charge of serving the meal; a third, of the clearing away and dishwashing. Mr. and Mrs. Benjamin were always treated as guests on these occasions.

Arithmetic was accompanied by instruction in banking. Allowances were deposited in a central bank, with elected officers. All money was drawn by check. Books were balanced weekly, and penalty imposed upon careless financiers.

Mrs. Benjamin conducted the classes in English Literature, and because she loved books truly, she led these girls step by step into the realm of the best. Shakespeare was studied and loved, and played under the trees. Wordsworth and Tennyson and Longfellow read in the open, are very different from Wordsworth, Tennyson, and Longfellow parsed indoors. Poetry was not a “study” to be pored over in the schoolroom; it was a natural beautiful expression of life, sung instead of spoken. So they came to our modern poets with interest and understanding, because these new poets, forsooth, spoke the language of these children of the present.

Dickens, Thackeray, George Eliot, Victor Hugo, read aloud and discussed; these were a treat—no task—here. These great artists were considered not only as makers of romance, creators of literature, but also as historians of their times. Their books were studied along with the history of the countries and the peoples that they described. Then came the geography of the places wherein the stories were laid, then a study of the social conditions and customs of the periods to which they gave expression.