“Death is terrible,” he said. He fell on his knees. “Friar, death is terrible.” He fell on his face. “Death is very terrible.”

They raised him up and laid him on his bed in the shadow, and as they lifted him his crimson gown fell apart and showed his striped hose and his pearl embroidered garters and the cross-work of jewels on his shoes; and his bed was very rich and lovely and carved with little dancing figures of fauns; and Frà Girolamo was grieved that he should die amid all this vanity, and prayed heartily to the Lord to forgive it. Then he bethought him that the Prince had wished to die in the habit of his own order, and feeling assured that he was yet many hours off death, he bid the pages watch by their master and left them to go himself to the convent of St. Mark to fetch a friar’s robe.

Giovanni Pico lay very still; his face was white and fallen and his eyes closed. The two boys looked at him and whispered together; they greatly loved their master, and they did not love, though they feared, Frà Girolamo.

One of them tip-toed out of the room and brought back the figure of Tanagra; the other took from a press a lustre dish of peaches and late white roses opening on to golden hearts, and took them to his master, who was muttering prayers with a feeble voice.

The boy held up the dish and said softly: “My noble lord, do not grieve so at what the Friar says, for surely Heaven is beautiful as Tuscany when the blossoms come out, and there is a pleasant company there seated on the grass and plaiting roses into crowns while God walks among them, very splendid and gentle.”

Giovanni opened his eyes and saw the flowers and fruit and smelt the rich perfume of them and faintly smiled; then he saw the figure of Tanagra, and his smile deepened, and all the world rushed round him again.

“There is great comfort in these things,” said the second page; “and wherefore should a Prince die like a poor Friar?”

He picked up the long chain Giovanni had flung down and brought it to the bed.

“My ring,” said the dying man: “the yellow intaglio—”