The Duchess made no attempt to detain him; she did not move from her crouching, watchful attitude.
When he reached the belt of laurels he looked back and saw her dark shape still against the waters of the pool that were beginning to be touched with the argent glimmer of the rising moon. He hurried on, continually catching the strings of his lute against the boughs of the flowering shrubs; he tried to laugh at himself for being afraid of an old, sick woman; he tried to ridicule himself for believing that the admired Duchess, for so long a decorous great lady, could in truth be a creature of evil.
But the conviction flashed into his heart was too deep to be uprooted.
She had not spoken to him like a Duchess of Ferrara, but rather as the wanton Spaniard whose excesses had bewildered and sickened Rome.
A notable misgiving was upon him; he had heard great men praise her, Ludovico Ariosto, Cardinal Ippolito’s secretary and the noble Venetian Bembo; he had himself admired her remote and refined splendour. Yet, because of these few moments of close talk with her, because of a near gaze into her face, he felt that she was something horrible, the poisoned offshoot of a bad race.
He thought that there was death on her glistening painted lips, and that if he had kissed them he would have died, as so many of her lovers were reputed to have died.
He parted the cool leaves and blossoms and came on to the borders of a lake that lay placid under the darkling sky.
It was very lonely; bats twinkled past with a black flap of wings; the moon had burnt the heavens clear of stars; her pure light began to fill the dusk. Orsini moved softly, with no comfort in his heart.
The stillness was intense; he could hear his own footfall, the soft leather on the soft grass. He looked up and down the silence of the lake.
Then suddenly he glanced over his shoulder. Lucrezia Borgia was standing close behind him; when he turned her face looked straight into his.