Hartley was worried about the Padré, and he had warned the policeman to watch the Compound at night; but all the watching in the world did not explain the cause of these visits. There was a connection somewhere and somehow between Heath and the missing Absalom, and Hartley wondered if he could venture to speak to Mrs. Wilder again about the night of the 29th of July, and implore her to let him know if she had seen Heath with Absalom.
It seemed, judging by what Atkins had heard, that Heath was paying for silence, and Hartley disliked the idea of working up evidence against the Padré. The more he thought of it the less he liked it, and yet his duty and his sense of responsibility would not let him rest. Mrs. Wilder had said that she had seen Heath and Absalom, and had then refused to say anything more, but Hartley saw in her reserve a suggestion of further knowledge that could not be ignored or denied.
Mhtoon Pah was quieter for the moment. He believed that Leh Shin was being cautiously tracked, and the pointing image had held no further traces of bloodshed upon his yellow hands. Hartley had grown to loathe the grinning figure, and to loathe the whole tedious, difficult tragedy of the lost boy. If it had lain in the native quarter he could have found interest in the excitement of the chase, but if it ramified into the Cantonment, Hartley had no mind for it. He was a man first, a sociable, kindly man, and, later, an officer of the law.
VIII
SHOWS HOW THE CLOAK OF DARKNESS OF ONE NIGHT HIDES MANY EMOTIONS, AND MRS. WILDER IS FRANKLY INQUISITIVE
Darkness brooded everywhere, but the gloom of night is a darkness that is impenetrable only to our eyes because we creatures of the hard glare of daylight cannot see in the strange clearness that brings out the stars. Only in the houses of men real darkness has its habitation. Under close roofs, confined within walls, shut into rooms, and lurking in corners: there, darkness may be found, and because man made it, it has its own special terror, as have all the creatures of man's hand. Dark, menacing and noiseless, the shadows flock in as daylight wanes, filing up like heavy thoughts and sad thoughts, and casting a gloom with their coming that is not the blackness of earth's restful night.
Mrs. Wilder paced her room with the steps of a woman whose heart drives sleep out with scorpion-whips of memory; and she went softly, for sound travels far at night, and Draycott Wilder, in the next room, was a light sleeper. She was thinking steadily, and she was trying to force her will across the distance into the stronghold of Hartley's inner consciousness.
Night brought no more rest to Mrs. Draycott Wilder than it did to Craven Joicey, the Banker, but Joicey did not sit in the dark. Madness lies in the dark for some minds, and he had turned on the electric light, that showed his face yellow and weary. On the wall the lizards, awakened by the sudden glare, resumed their fly-catching, and scuttled with a dry, scurrying sound over the walls, breaking the silence with a perpetual "chuck-chuck" as they chased each other. Joicey looked as though he was dreaming evil dreams, and nothing of his surroundings was real to him. The room became another room, the tables and chairs grew indistinct, the face of a small Gaudama on the mantel-piece became a living face that menaced him, and the "chuck-chuck" of the lizards, the rattle of dice falling on to a board at some remote distance miles and miles away, and yet strangely audible to his dull ears. Still he sat there, and flashes of fancies came and went. Sometimes he stood in an English garden, with a far-away sunlit glimpse of glittering waters, and a cuckoo crying in a wood of waving trees, and then he knew that he was a boy, and that he had forgotten everything that had happened since; and then, without warning, he was swept out of the garden and stood under Eastern trees, lost in a wild place, with the haunting face of the image at his shoulder. The face altered. Sometimes it was Mhtoon Pah's pointing man, and what he pointed at was never clear. The mistiness bothered him horribly.
The Durwan outside played on a wistful little flute, thinking that his master was asleep; he heard it, and it did not concern him; he was dead to all outward things just then, and the flute only added to the mystery of the dream that spun itself in his brain. He wandered in a place so near actual things and yet so far from them, that the gigantic mistake of it all, and the consciousness that the inner life could at times conquer the outer life, made him fall away between the two conditions, lost and helpless. His head nodded forward, and his lower lip dropped, and yet his eyes were open, as he sat facing the small squatting Buddha, whose changeless face changed only for him.