He stood patiently in the clear, kind twilight, till, with a great sobbing cry, Charron rose and ran to him, and put a strong arm around him, holding him as though he would never let him go. And so, under the eternal patience of the stars, they went slowly down together to their home.
THE DESERT ROAD
Cuthbertson, urging his jaded horse over the last of the weary miles from the mines to Los Santos, always pulled up at old Juana’s hut. He had pulled up one day when new to the work and the land, deathly sunsick; and Juana had dragged him into the shadow of the wall, and given him water, and finally tramped into the town for the superintendent’s buggy and mules. Cuthbertson never found out why she had done this, but he was grateful, in the silent way he had early learned of the desert. Since then she always had cool water for him, and a skin spread in the shade. And sometimes she would talk to him in brief Spanish. He was the only white man to whom she ever spoke; and she spoke to him because she thought him like the Rainmaker.
If you asked anyone in Los Santos how long Juana had been there, they said, “God knows.” Cuthbertson thought it quite likely that God did know, and kept account of it.
There were peach-orchards round Los Santos, and the sound of running water, and a pleasant acreage of alfalfa fields. But green life stopped where the water stopped; and westward of the last irrigation ditch lay the desert, oldest of all things save the sea. When the east wind blew by day across Los Santos, the scent and bloom of the orchards was breathed out into the sands. But at sunset, when the west wind brought the bitterness of the alkali-wastes, the little town seemed to cower and shrink beleaguered in the heart of the vast night. Only the steady sound of running water, like the footfall of a sentry, stood between Los Santos and the eternal threat of the sand.
The road ran through the town and out into the desert. It paused at the mines, then went on and was lost in the coloured hills of the far distance. No rain fell on these hills, which were like great jewels worn brittle and thin with ceaseless wind and sun. If a man had business with the desert, he went by that road; sometimes he returned by it. Between the town and the mines, beside a tiny pool that dried to white dust in the heats, was Juana’s hut.
When there was water in the pool, she grew a few melons and a patch of corn. When it dried, she carried water from the tanks, miles away. She had a pot hanging under the roof of her hut to keep cool, and in the drip of it, gray lizards and snakes and earth-coloured birds would gather silently. They were voiceless creatures of the voiceless waste, but not more dumb than old Juana.
Every evening she climbed to the crest of a long wave of sand and watched the sun going down at the end of the desert road. She saw the night sweeping inwards visibly with a movement that was as a sound, the sound of great wings trailed along the sand. Then the stars glowed out in the transparent heights of darkness, the lights of Los Santos, twinkling within their defences, were answered over the curve of the world by the one high light from the mines. Then she went home and slept, knowing that that day no word would come from the Rainmaker.
Once, looking at Cuthbertson with her grave eyes, she said, in the speech he but half understood, “Hate is more patient than day or night, the sand is more patient than hate, and love waits longer than the sand.”
Cuthbertson leaned his head back in the shadow. Westward a mirage danced in the heat, and the crumbling dry hills seemed to lift from blue water and green reeds. He said, “I don’t like the sand, Juana.”