Coleridge said of this "little" actor: "Kean is original; but he copies from himself. His rapid descent from the hyper-tragic to the infra-colloquial, though sometimes productive of great effect, are often unreasonable. To see him act, is like reading 'Shakespeare' by flashes of lightning. I do not think him thorough-bred gentleman enough to play Othello."

CMXCIII.—AMERICAN PENANCE.

As for me, as soon as I hear that the last farthing is paid to the last creditor, I will appear on my knees at the bar of the Pennsylvanian Senate in the plumeopicean robe of American controversy. Each Conscript Jonathan shall trickle over me a few drops of tar, and help to decorate me with those penal plumes in which the vanquished reasoner of the transatlantic world does homage to the physical superiority of his opponents.—S.S.

CMXCIV.—A MONEY-LENDER.

The best fellow in the world, sir, to get money of; for as he sends you half cash, half wine, why, if you can't take up his bill, you've always poison at hand for a remedy.—D.J.

CMXCV.—A BAD MEDIUM.

A man, who pretended to have seen a ghost, was asked what the ghost said to him? "How should I understand," replied the narrator, "what he said? I am not skilled in any of the dead languages."

CMXCVI.—TAKING A HINT.

The Bishop preached: "My friends," said he,
"How sweet a thing is charity,
The choicest gem in virtue's casket!"
"It is, indeed," sighed miser B.,
"And instantly I'll go and—ask it."

CMXCVII.—SWEARING THE PEACE.