He started on a run, racing in and out among the sage-bushes a matter of three hundred yards, and disappeared over a sand-wave; the others struggled after him, caught him up, and found him waiting. Ten steps away was a little wickieup, a dim and formless shelter of rags and old horse-blankets, a dull light showing through its chinks.
“You lead, Mrs. Hogan,” said the lad. “It’s your privilege to be first.”
All followed the sprint she made for the wickieup, and saw, with her, the picture its interior afforded. Injun Billy was sitting on the ground; the child was asleep beside him. The mother hugged it with a wild embrace, which included Archy Stillman, the grateful tears running down her face, and in a choked and broken voice she poured out a golden stream of that wealth of worshiping endearments which has its home in full richness nowhere but in the Irish heart.
“I find her bymeby it is ten o’clock,” Billy explained. “She ’sleep out yonder, ve’y tired—face wet, been cryin’, ’spose; fetch her home, feed her, she heap much hungry—go ’sleep ’gin.”
In her limitless gratitude the happy mother waived rank and hugged him too, calling him “the angel of God in disguise.” And he probably was in disguise if he was that kind of an official. He was dressed for the character.
At half past one in the morning the procession burst into the village singing, “When Johnny Comes Marching Home,” waving its lanterns, and swallowing the drinks that were brought out all along its course. It concentrated at the tavern, and made a night of what was left of the morning.