"I prefer it to any other dissipation."
"That's my notion, too. Now some people like to take a book and sit down and read, and read, and read, or moon around yawping at the lake or these mountains and things, but that ain't my way; no, sir, if they like it, let 'em do it, I don't object; but as for me, talking's what I like. You been up the Rigi?"
"Yes."
"What hotel did you stop at?"
"Schreiber."
"That's the place!—I stopped there too. FULL of Americans, WASN'T it? It always is—always is. That's what they say. Everybody says that. What ship did you come over in?"
"VILLE DE PARIS."
"French, I reckon. What kind of a passage did ... excuse me a minute, there's some Americans I haven't seen before."
And away he went. He went uninjured, too—I had the murderous impulse to harpoon him in the back with my alpenstock, but as I raised the weapon the disposition left me; I found I hadn't the heart to kill him, he was such a joyous, innocent, good-natured numbskull.
Half an hour later I was sitting on a bench inspecting, with strong interest, a noble monolith which we were skimming by—a monolith not shaped by man, but by Nature's free great hand—a massy pyramidal rock eighty feet high, devised by Nature ten million years ago against the day when a man worthy of it should need it for his monument. The time came at last, and now this grand remembrancer bears Schiller's name in huge letters upon its face. Curiously enough, this rock was not degraded or defiled in any way. It is said that two years ago a stranger let himself down from the top of it with ropes and pulleys, and painted all over it, in blue letters bigger than those in Schiller's name, these words: