While the moon was behind one of those sharp fingers, its shadow was flung athwart the vacant heavens—a long, slanting, clean-cut, dark ray—with a streaming and energetic suggestion of FORCE about it, such as the ascending jet of water from a powerful fire-engine affords. It was curious to see a good strong shadow of an earthly object cast upon so intangible a field as the atmosphere.
We went to bed, at last, and went quickly to sleep, but I woke up, after about three hours, with throbbing temples, and a head which was physically sore, outside and in. I was dazed, dreamy, wretched, seedy, unrefreshed. I recognized the occasion of all this: it was that torrent. In the mountain villages of Switzerland, and along the roads, one has always the roar of the torrent in his ears. He imagines it is music, and he thinks poetic things about it; he lies in his comfortable bed and is lulled to sleep by it. But by and by he begins to notice that his head is very sore—he cannot account for it; in solitudes where the profoundest silence reigns, he notices a sullen, distant, continuous roar in his ears, which is like what he would experience if he had sea-shells pressed against them—he cannot account for it; he is drowsy and absent-minded; there is no tenacity to his mind, he cannot keep hold of a thought and follow it out; if he sits down to write, his vocabulary is empty, no suitable words will come, he forgets what he started to do, and remains there, pen in hand, head tilted up, eyes closed, listening painfully to the muffled roar of a distant train in his ears; in his soundest sleep the strain continues, he goes on listening, always listening intently, anxiously, and wakes at last, harassed, irritable, unrefreshed. He cannot manage to account for these things.
Day after day he feels as if he had spent his nights in a sleeping-car. It actually takes him weeks to find out that it is those persecuting torrents that have been making all the mischief. It is time for him to get out of Switzerland, then, for as soon as he has discovered the cause, the misery is magnified several fold. The roar of the torrent is maddening, then, for his imagination is assisting; the physical pain it inflicts is exquisite. When he finds he is approaching one of those streams, his dread is so lively that he is disposed to fly the track and avoid the implacable foe.
Eight or nine months after the distress of the torrents had departed from me, the roar and thunder of the streets of Paris brought it all back again. I moved to the sixth story of the hotel to hunt for peace. About midnight the noises dulled away, and I was sinking to sleep, when I heard a new and curious sound; I listened: evidently some joyous lunatic was softly dancing a "double shuffle" in the room over my head. I had to wait for him to get through, of course. Five long, long minutes he smoothly shuffled away—a pause followed, then something fell with a thump on the floor. I said to myself "There—he is pulling off his boots—thank heavens he is done." Another slight pause—he went to shuffling again! I said to myself, "Is he trying to see what he can do with only one boot on?" Presently came another pause and another thump on the floor. I said "Good, he has pulled off his other boot—NOW he is done." But he wasn't. The next moment he was shuffling again. I said, "Confound him, he is at it in his slippers!" After a little came that same old pause, and right after it that thump on the floor once more. I said, "Hang him, he had on TWO pair of boots!" For an hour that magician went on shuffling and pulling off boots till he had shed as many as twenty-five pair, and I was hovering on the verge of lunacy. I got my gun and stole up there. The fellow was in the midst of an acre of sprawling boots, and he had a boot in his hand, shuffling it—no, I mean POLISHING it. The mystery was explained. He hadn't been dancing. He was the "Boots" of the hotel, and was attending to business.
