No matter, she is interesting enough without an amicable agreement. In several ways she is the most interesting woman that ever lived, and the most extraordinary. The same may be said of her career, and the same may be said of its chief result. She started from nothing. Her enemies charge that she surreptitiously took from Quimby a peculiar system of healing which was mind-cure with a Biblical basis. She and her friends deny that she took anything from him. This is a matter which we can discuss by-and-by. Whether she took it or invented it, it was—materially—a sawdust mine when she got it, and she has turned it into a Klondike; its spiritual dock had next to no custom, if any at all: from it she has launched a world-religion which has now six hundred and sixty-three churches, and she charters a new one every four days. When we do not know a person—and also when we do—we have to judge his size by the size and nature of his achievements, as compared with the achievements of others in his special line of business—there is no other way. Measured by this standard, it is thirteen hundred years since the world has produced any one who could reach up to Mrs. Eddy's waistbelt.

Figuratively speaking, Mrs. Eddy is already as tall as the Eiffel tower. She is adding surprisingly to her stature every day. It is quite within the probabilities that a century hence she will be the most imposing figure that has cast its shadow across the globe since the inauguration of our era. I grant that after saying these strong things, it is necessary that I offer some details calculated to satisfactorily demonstrate the proportions which I have claimed for her. I will do that presently; but before exhibiting the matured sequoia gigantea, I believe it will be best to exhibit the sprout from which it sprang. It may save the reader from making miscalculations. The person who imagines that a Big Tree sprout is bigger than other kinds of sprouts is quite mistaken. It is the ordinary thing; it makes no show, it compels no notice, it hasn't a detectible quality in it that entitles it to attention, or suggests the future giant its sap is suckling. That is the kind of sprout Mrs. Eddy was.

From her childhood days up to where she was running a half-century a close race and gaining on it, she was most humanly commonplace.

She is the witness I am drawing this from. She has revealed it in her autobiography not intentionally, of course—I am not claiming that. An autobiography is the most treacherous thing there is. It lets out every secret its author is trying to keep; it lets the truth shine unobstructed through every harmless little deception he tries to play; it pitilessly exposes him as a tin hero worshipping himself as Big Metal every time he tries to do the modest-unconsciousness act before the reader. This is not guessing; I am speaking from autobiographical personal experience; I was never able to refrain from mentioning, with a studied casualness that could deceive none but the most incautious reader, that an ancestor of mine was sent ambassador to Spain by Charles I., nor that in a remote branch of my family there exists a claimant to an earldom, nor that an uncle of mine used to own a dog that was descended from the dog that was in the Ark; and at the same time I was never able to persuade myself to call a gibbet by its right name when accounting for other ancestors of mine, but always spoke of it as the “platform”—puerilely intimating that they were out lecturing when it happened.

It is Mrs. Eddy over again. As regards her minor half, she is as commonplace as the rest of us. Vain of trivial things all the first half of her life, and still vain of them at seventy and recording them with naive satisfaction—even rescuing some early rhymes of hers of the sort that we all scribble in the innocent days of our youth—rescuing them and printing them without pity or apology, just as the weakest and commonest of us do in our gray age. More—she still frankly admires them; and in her introduction of them profanely confers upon them the holy name of “poetry.” Sample:

“And laud the land whose talents rock
The cradle of her power,
And wreaths are twined round Plymouth Rock
From erudition's bower.”
“Minerva's silver sandals still
Are loosed and not effete.”

You note it is not a shade above the thing which all human beings churn out in their youth.

You would not think that in a little wee primer—for that is what the Autobiography is—a person with a tumultuous career of seventy years behind her could find room for two or three pages of padding of this kind, but such is the case. She evidently puts narrative together with difficulty and is not at home in it, and is glad to have something ready-made to fill in with. Another sample:

“Here fame-honored Hickory rears his bold form,
And bears a brave breast to the lightning and storm,
While Palm, Bay, and Laurel in classical glee,
Chase Tulip, Magnolia, and fragrant Fringe-tree.”

Vivid? You can fairly see those trees galloping around. That she could still treasure up, and print, and manifestly admire those Poems, indicates that the most daring and masculine and masterful woman that has appeared in the earth in centuries has the same soft, girly-girly places in her that the rest of us have.