But at last we turned a corner and saw a great glare of light ahead. It was the home of the bride, wrapped in a perfect conflagration of illuminations,—mainly gas-work designs, gotten up specially for the occasion. Within was abundance of brilliancy—flames, costumes, colors, decorations, mirrors—it was another Aladdin show.
The bride was a trim and comely little thing of twelve years, dressed as we would dress a boy, though more expensively than we should do it, of course. She moved about very much at her ease, and stopped and talked with the guests and allowed her wedding jewelry to be examined. It was very fine. Particularly a rope of great diamonds, a lovely thing to look at and handle. It had a great emerald hanging to it.
The bridegroom was not present. He was having betrothal festivities of his own at his father's house. As I understood it, he and the bride were to entertain company every night and nearly all night for a week or more, then get married, if alive. Both of the children were a little elderly, as brides and grooms go, in India—twelve; they ought to have been married a year or two sooner; still to a, stranger twelve seems quite young enough.
A while after midnight a couple of celebrated and high-priced nautch-girls appeared in the gorgeous place, and danced and sang. With them were men who played upon strange instruments which made uncanny noises of a sort to make one's flesh creep.
One of these instruments was a pipe, and to its music the girls went through a performance which represented snake charming. It seemed a doubtful sort of music to charm anything with, but a native gentleman assured me that snakes like it and will come out of their holes and listen to it with every evidence of refreshment and gratitude. He said that at an entertainment in his grounds once, the pipe brought out half a dozen snakes, and the music had to be stopped before they would be persuaded to go. Nobody wanted their company, for they were bold, familiar, and dangerous; but no one would kill them, of course, for it is sinful for a Hindoo to kill any kind of a creature.
We withdrew from the festivities at two in the morning. Another picture, then—but it has lodged itself in my memory rather as a stage-scene than as a reality. It is of a porch and short flight of steps crowded with dark faces and ghostly-white draperies flooded with the strong glare from the dazzling concentration of illuminations; and midway of the steps one conspicuous figure for accent—a turbaned giant, with a name according to his size: Rao Bahadur Baskirao Balinkanje Pitale, Vakeel to his Highness the Gaikwar of Baroda. Without him the picture would not have been complete; and if his name had been merely Smith, he wouldn't have answered. Close at hand on house-fronts on both sides of the narrow street were illuminations of a kind commonly employed by the natives—scores of glass tumblers (containing tapers) fastened a few in inches apart all over great latticed frames, forming starry constellations which showed out vividly against their black back grounds. As we drew away into the distance down the dim lanes the illuminations gathered together into a single mass, and glowed out of the enveloping darkness like a sun.
Then again the deep silence, the skurrying rats, the dim forms stretched every-where on the ground; and on either hand those open booths counterfeiting sepulchres, with counterfeit corpses sleeping motionless in the flicker of the counterfeit death lamps. And now, a year later, when I read the cablegrams I seem to be reading of what I myself partly saw—saw before it happened—in a prophetic dream, as it were. One cablegram says, "Business in the native town is about suspended. Except the wailing and the tramp of the funerals. There is but little life or movement. The closed shops exceed in number those that remain open." Another says that 325,000 of the people have fled the city and are carrying the plague to the country. Three days later comes the news, "The population is reduced by half." The refugees have carried the disease to Karachi; "220 cases, 214 deaths." A day or two later, "52 fresh cases, all of which proved fatal."
The plague carries with it a terror which no other disease can excite; for of all diseases known to men it is the deadliest—by far the deadliest. "Fifty-two fresh cases—all fatal." It is the Black Death alone that slays like that. We can all imagine, after a fashion, the desolation of a plague-stricken city, and the stupor of stillness broken at intervals by distant bursts of wailing, marking the passing of funerals, here and there and yonder, but I suppose it is not possible for us to realize to ourselves the nightmare of dread and fear that possesses the living who are present in such a place and cannot get away. That half million fled from Bombay in a wild panic suggests to us something of what they were feeling, but perhaps not even they could realize what the half million were feeling whom they left stranded behind to face the stalking horror without chance of escape. Kinglake was in Cairo many years ago during an epidemic of the Black Death, and he has imagined the terrors that creep into a man's heart at such a time and follow him until they themselves breed the fatal sign in the armpit, and then the delirium with confused images, and home-dreams, and reeling billiard-tables, and then the sudden blank of death: