The vast mausoleum—5.
This marvel of marble—5.
The exquisite enclosure—5.
Inlaid with flowers made of costly gems—5.
A thing of perfect beauty and absolute finish—5.
Those details are correct; the figures which I have placed after them represent quite fairly their individual, values. Then why, as a whole, do they convey a false impression to the reader? It is because the reader—beguiled by, his heated imagination—masses them in the wrong way. The writer would mass the first three figures in the following way, and they would speak the truth
Total—19
But the reader masses them thus—and then they tell a lie—559.
The writer would add all of his twelve numerals together, and then the sum would express the whole truth about the Taj, and the truth only—63.
But the reader—always helped by his imagination—would put the figures in a row one after the other, and get this sum, which would tell him a noble big lie: