He signed the will in three places.
In earlier years he signed two other official documents.
These five signatures still exist.
There are no other specimens of his penmanship in existence. Not a line.
Was he prejudiced against the art? His granddaughter, whom he loved, was eight years old when he died, yet she had had no teaching, he left no provision for her education although he was rich, and in her mature womanhood she couldn’t write and couldn’t tell her husband’s manuscript from anybody else’s—she thought it was Shakespeare’s.
When Shakespeare died in Stratford it was not an event. It made no more stir in England than the death of any other forgotten theatre-actor would have made. Nobody came down from London; there were no lamenting poems, no eulogies, no national tears—there was merely silence, and nothing more. A striking contrast with what happened when Ben Jonson, and Francis Bacon, and Spenser, and Raleigh and the other distinguished literary folk of Shakespeare’s time passed from life! No praiseful voice was lifted for the lost Bard of Avon; even Ben Jonson waited seven years before he lifted his.
So far as anybody actually knows and can prove, Shakespeare of Stratford-on-Avon never wrote a play in his life.
So far as anybody knows and can prove, he never wrote a letter to anybody in his life.
So far as any one knows, he received only one letter during his life.
So far as any one knows and can prove, Shakespeare of Stratford wrote only one poem during his life. This one is authentic. He did write that one—a fact which stands undisputed; he wrote the whole of it; he wrote the whole of it out of his own head. He commanded that this work of art be engraved upon his tomb, and he was obeyed. There it abides to this day. This is it: