“The only witness I couldn’t bribe”
[Studies some photographs of mutilated negroes—throws them down. Sighs] The kodak has been a sore calamity to us. The most powerful enemy that has confronted us, indeed. In the early years we had no trouble in getting the press to “expose” the tales of the mutilations as slanders, lies, inventions of busy-body American missionaries and exasperated foreigners who had found the “open door” of the Berlin-Congo charter closed against them when they innocently went out there to trade; and by the press’s help we got the Christian nations everywhere to turn an irritated and unbelieving ear to those tales and say hard things about the tellers of them. Yes, all things went harmoniously and pleasantly in those good days, and I was looked up to as the benefactor of a down-trodden and friendless people. Then all of a sudden came the crash! That is to say, the incorruptible kodak—and all the harmony went to hell! The only witness I have encountered in my long experience that I couldn’t bribe. Every Yankee missionary and every interrupted trader sent home and got one; and now—oh, well, the pictures get sneaked around everywhere, in spite of all we can do to ferret them out and suppress them. Ten thousand pulpits and ten thousand presses are saying the good word for me all the time and placidly and convincingly denying the mutilations. Then that trivial little kodak, that a child can carry in its pocket, gets up, uttering never a word, and knocks them dumb!
... What is this fragment? [Reads]
“But enough of trying to tally off his crimes! His list is interminable, we should never get to the end of it. His awful shadow lies across his Congo Free State, and under it an unoffending nation of 15,000,000 is withering away and swiftly succumbing to their miseries. It is a land of graves; it is The Land of Graves; it is the Congo Free Graveyard. It is a majestic thought: that is, this ghastliest episode in all human history is the work of one man alone; one solitary man; just a single individual—Leopold, King of the Belgians. He is personally and solely responsible for all the myriad crimes that have blackened the history of the Congo State. He is sole master there; he is absolute. He could have prevented the crimes by his mere command; he could stop them today with a word. He withholds the word. For his pocket’s sake.
FROM PHOTOGRAPHS, CONGO STATE
“The pictures get sneaked around everywhere.”—Page [40].
“It seems strange to see a king destroying a nation and laying waste a country for mere sordid money’s sake, and solely and only for that. Lust of conquest is royal; kings have always exercised that stately vice; we are used to it, by old habit we condone it, perceiving a certain dignity in it; but lust of money—lust of shillings—lust of nickels—lust of dirty coin, not for the nation’s enrichment but for the king’s alone—this is new. It distinctly revolts us, we cannot seem to reconcile ourselves to it, we resent it, we despise it, we say it is shabby, unkingly, out of character. Being democrats we ought to jeer and jest, we ought to rejoice to see the purple dragged in the dirt, but—well, account for it as we may, we don’t. We see this awful king, this pitiless and blood-drenched king, this money-crazy king towering toward the sky in a world-solitude of sordid crime, unfellowed and apart from the human race, sole butcher for personal gain findable in all his caste, ancient or modern, pagan or Christian, proper and legitimate target for the scorn of the lowest and the highest, and the execrations of all who hold in cold esteem the oppressor and the coward; and—well, it is a mystery, but we do not wish to look; for he is a king, and it hurts us, it troubles us, by ancient and inherited instinct it shames us to see a king degraded to this aspect, and we shrink from hearing the particulars of how it happened. We shudder and turn away when we come upon them in print.”
Why, certainly—that is my protection. And you will continue to do it. I know the human race.
FROM PHOTOGRAPH, IKOKO, CONGO STATE
“To THEM it must appear
very awful and
mysterious.”—
Joseph Con-
rad