I will remark, in passing, that Mississippi steamboatmen were important in landsmen's eyes (and in their own, too, in a degree) according to the dignity of the boat they were on. For instance, it was a proud thing to be of the crew of such stately craft as the 'Aleck Scott' or the 'Grand Turk.' Negro firemen, deck hands, and barbers belonging to those boats were distinguished personages in their grade of life, and they were well aware of that fact too. A stalwart darkey once gave offense at a negro ball in New Orleans by putting on a good many airs. Finally one of the managers bustled up to him and said—
'Who IS you, any way? Who is you? dat's what I wants to know!'
The offender was not disconcerted in the least, but swelled himself up and threw that into his voice which showed that he knew he was not putting on all those airs on a stinted capital.
'Who IS I? Who IS I? I let you know mighty quick who I is! I want you niggers to understan' dat I fires de middle do'{footnote [Door]} on de "Aleck Scott!"'
That was sufficient.
The barber of the 'Grand Turk' was a spruce young negro, who aired his importance with balmy complacency, and was greatly courted by the circle in which he moved. The young colored population of New Orleans were much given to flirting, at twilight, on the banquettes of the back streets. Somebody saw and heard something like the following, one evening, in one of those localities. A middle-aged negro woman projected her head through a broken pane and shouted (very willing that the neighbors should hear and envy), 'You Mary Ann, come in de house dis minute! Stannin' out dah foolin' 'long wid dat low trash, an' heah's de barber offn de "Gran' Turk" wants to conwerse wid you!'
