With his debts paid, Clemens was anxious to be getting home. Two
weeks following the above he wrote Redpath that he would accept no
more engagements at any price, outside of New England, and added,
“The fewer engagements I have from this time forth the better I
shall be pleased.” By the end of February he was back in Hartford,
refusing an engagement in Boston, and announcing to Redpath, “If I
had another engagement I'd rot before I'd fill it.” From which we
gather that he was not entirely happy in the lecture field.
As a matter of fact, Mark Twain loathed the continuous travel and
nightly drudgery of platform life. He was fond of entertaining, and
there were moments of triumph that repaid him for a good deal, but
the tyranny of a schedule and timetables was a constant
exasperation.
Meantime, Roughing It had appeared and was selling abundantly. Mark
Twain, free of debt, and in pleasant circumstances, felt that the
outlook was bright. It became even more so when, in March, the
second child, a little girl, Susy, was born, with no attending
misfortunes. But, then, in the early summer little Langdon died.
It was seldom, during all of Mark Twain's life, that he enjoyed more
than a brief period of unmixed happiness.
It was in June of that year that Clemens wrote his first letter to
William Dean Howells the first of several hundred that would follow
in the years to come, and has in it something that is characteristic
of nearly all the Clemens-Howells letters—a kind of tender
playfulness that answered to something in Howells's make-up, his
sense of humor, his wide knowledge of a humanity which he pictured
so amusingly to the world.


To William Dean Howells, in Boston:

HARTFORD, June 15, 1872.

FRIEND HOWELLS,—Could you tell me how I could get a copy of your portrait as published in Hearth and Home? I hear so much talk about it as being among the finest works of art which have yet appeared in that journal, that I feel a strong desire to see it. Is it suitable for framing? I have written the publishers of H & H time and again, but they say that the demand for the portrait immediately exhausted the edition and now a copy cannot be had, even for the European demand, which has now begun. Bret Harte has been here, and says his family would not be without that portrait for any consideration. He says his children get up in the night and yell for it. I would give anything for a copy of that portrait to put up in my parlor. I have Oliver Wendell Holmes and Bret Harte's, as published in Every Saturday, and of all the swarms that come every day to gaze upon them none go away that are not softened and humbled and made more resigned to the will of God. If I had yours to put up alongside of them, I believe the combination would bring more souls to earnest reflection and ultimate conviction of their lost condition, than any other kind of warning would. Where in the nation can I get that portrait? Here are heaps of people that want it,—that need it. There is my uncle. He wants a copy. He is lying at the point of death. He has been lying at the point of death for two years. He wants a copy—and I want him to have a copy. And I want you to send a copy to the man that shot my dog. I want to see if he is dead to every human instinct.

Now you send me that portrait. I am sending you mine, in this letter; and am glad to do it, for it has been greatly admired. People who are judges of art, find in the execution a grandeur which has not been equalled in this country, and an expression which has not been approached in any.

Yrs truly,
S. L. CLEMENS.

P. S. 62,000 copies of “Roughing It” sold and delivered in 4 months.

The Clemens family did not spend the summer at Quarry Farm that
year. The sea air was prescribed for Mrs. Clemens and the baby, and
they went to Saybrook, Connecticut, to Fenwick Hall. Clemens wrote
very little, though he seems to have planned Tom Sawyer, and perhaps
made its earliest beginning, which was in dramatic form.
His mind, however, was otherwise active. He was always more or less
given to inventions, and in his next letter we find a description of
one which he brought to comparative perfection.
He had also conceived the idea of another book of travel, and this
was his purpose of a projected trip to England.