“How could you, Youth! The idea of sending Mr. Howells, with his sensitive nature, upon such a repulsive er—”

“Oh, Howells won't mind it! You don't know Howells. Howells is a man who—” She was gone. But George was the first person she stumbled on in the hall, so she took it out of George. I was glad of that, because it saved the babies.

I've got another rattling good character for my novel! That great work is mulling itself into shape gradually.

Mrs. Clemens sends love to Mrs. Howells—meantime she is diligently
laying up material for a letter to her.
Yrs ever
MARK.

The “George” of this letter was Mark Twain's colored butler, a
valued and even beloved member of the household—a most picturesque
character, who “one day came to wash windows,” as Clemens used to
say, “and remained eighteen years.” The fiction of Mrs. Clemens's
severity he always found amusing, because of its entire contrast
with the reality of her gentle heart.
Clemens carried the Tom Sawyer MS. to Boston himself and placed it
in Howells's hands. Howells had begged to be allowed to see the
story, and Mrs. Clemens was especially anxious that he should do so.
She had doubts as to certain portions of it, and had the fullest
faith in Howells's opinion.
It was a gratifying one when it came. Howells wrote: “I finished
reading Tom Sawyer a week ago, sitting up till one A.M. to get to
the end, simply because it was impossible to leave off. It's
altogether the best boy's story I ever read. It will be an immense
success. But I think you ought to treat it explicitly as a boy's
story. Grown-ups will enjoy it just as much if you do; and if you
should put it forth as a study of boy character from the grown-up
point of view, you give the wrong key to it.... The adventures
are enchanting. I wish I had been on that island. The
treasure-hunting, the loss in the cave—it's all exciting and
splendid. I shouldn't think of publishing this story serially.
Give me a hint when it's to be out, and I'll start the sheep to
jumping in the right places”—meaning that he would have an advance
review ready for publication in the Atlantic, which was a leader of
criticism in America.
Mark Twain was writing a great deal at this time. Howells was
always urging him to send something to the Atlantic, declaring a
willingness to have his name appear every month in their pages, and
Clemens was generally contributing some story or sketch. The
“proof” referred to in the next letter was of one of these articles.


To W. D. Howells, in Boston:

HARTFORD, Nov. 23, '75.

MY DEAR HOWELLS,—Herewith is the proof. In spite of myself, how awkwardly I do jumble words together; and how often I do use three words where one would answer—a thing I am always trying to guard against. I shall become as slovenly a writer as Charles Francis Adams, if I don't look out. (That is said in jest; because of course I do not seriously fear getting so bad as that. I never shall drop so far toward his and Bret Harte's level as to catch myself saying “It must have been wiser to have believed that he might have accomplished it if he could have felt that he would have been supported by those who should have &c. &c. &c.”) The reference to Bret Harte reminds me that I often accuse him of being a deliberate imitator of Dickens; and this in turn reminds me that I have charged unconscious plagiarism upon Charley Warner; and this in turn reminds me that I have been delighting my soul for two weeks over a bran new and ingenious way of beginning a novel—and behold, all at once it flashes upon me that Charley Warner originated the idea 3 years ago and told me about it! Aha! So much for self-righteousness! I am well repaid. Here are 108 pages of MS, new and clean, lying disgraced in the waste paper basket, and I am beginning the novel over again in an unstolen way. I would not wonder if I am the worst literary thief in the world, without knowing it.

It is glorious news that you like Tom Sawyer so well. I mean to see to it that your review of it shall have plenty of time to appear before the other notices. Mrs. Clemens decides with you that the book should issue as a book for boys, pure and simple—and so do I. It is surely the correct idea. As to that last chapter, I think of just leaving it off and adding nothing in its place. Something told me that the book was done when I got to that point—and so the strong temptation to put Huck's life at the Widow's into detail, instead of generalizing it in a paragraph was resisted. Just send Sawyer to me by express—I enclose money for it. If it should get lost it will be no great matter.