MAJOR GENERAL GRANT, Army Headquarters.

DEAR GENERAL,—Because I stopped talking for pay a good many years ago, and I could not resume the habit now without a great deal of personal discomfort. I love to hear myself talk, because I get so much instruction and moral upheaval out of it, but I lose the bulk of this joy when I charge for it. Let the terms stand.

General, if I have your approval, I wish to use this good occasion to retire permanently from the platform.

Truly yours
S. L. CLEMENS.

DEAR MR. CLEMENS,—Certainly. But as an old friend, permit me to say, Don't do that. Why should you?—you are not old yet.

Yours truly,
FRED D. GRANT.

DEAR GENERAL,—I mean the pay-platform; I shan't retire from the gratis-platform until after I am dead and courtesy requires me to keep still and not disturb the others.

What shall I talk about? My idea is this: to instruct the audience about Robert Fulton, and.... Tell me—was that his real name, or was it his nom de plume? However, never mind, it is not important—I can skip it, and the house will think I knew all about it, but forgot. Could you find out for me if he was one of the Signers of the Declaration, and which one? But if it is any trouble, let it alone, I can skip it. Was he out with Paul Jones? Will you ask Horace Porter? And ask him if he brought both of them home. These will be very interesting facts, if they can be established. But never mind, don't trouble Porter, I can establish them anyway. The way I look at it, they are historical gems—gems of the very first water.

Well, that is my idea, as I have said: first, excite the audience with a spoonful of information about Fulton, then quiet down with a barrel of illustration drawn by memory from my books—and if you don't say anything the house will think they never heard of it before, because people don't really read your books, they only say they do, to keep you from feeling bad. Next, excite the house with another spoonful of Fultonian fact, then tranquilize them again with another barrel of illustration. And so on and so on, all through the evening; and if you are discreet and don't tell them the illustrations don't illustrate anything, they won't notice it and I will send them home as well-informed about Robert Fulton as I am myself. Don't be afraid; I know all about audiences, they believe everything you say, except when you are telling the truth.

Truly yours,
S. L. CLEMENS.