[Explanatory. I regard the idea of this play as a valuable invention. I call it the Patent Universally-Applicable Automatically-Adjustable Language Drama. This indicates that it is adjustable to any tongue, and performable in any tongue. The English portions of the play are to remain just as they are, permanently; but you change the foreign portions to any language you please, at will. Do you see? You at once have the same old play in a new tongue. And you can keep on changing it from language to language, until your private theatrical pupils have become glib and at home in the speech of all nations. Zum Beispiel, suppose we wish to adjust the play to the French tongue. First, we give Mrs. Blumenthal and Gretchen French names. Next, we knock the German Meisterschaft sentences out of the first scene, and replace them with sentences from the French Meisterschaft-like this, for instance; “Je voudrais faire des emplettes ce matin; voulez-vous avoir l’obligeance de venir avec moi chez le tailleur français?” And so on. Wherever you find German, replace it with French, leaving the English parts undisturbed. When you come to the long conversation in the second act, turn to any pamphlet of your French Meisterschaft, and shovel in as much French talk on any subject as will fill up the gaps left by the expunged German. Example—page 423 French Meisterschaft:
On dirait qu’il va faire chaud.
J’ai chaud.
J’ai extrêmement chaud.
Ah! qu’il fait chaud!
Il fait une chaleur étouffante!
L’air est brûlant.
Je meurs de chaleur.
Il est presque impossible de supporter la chaleur.
Cela vous fait transpirer.