We were drawing nine! My hands were in a nerveless flutter. I could not ring a bell intelligibly with them. I flew to the speaking-tube and shouted to the engineer:

“Oh, Ben, if you love me, back her! Quick, Ben! Oh, back the immortal soul out of her!”

I heard the door close gently. I looked around, and there stood Mr. Bixby, smiling, a bland, sweet smile. Then the audience on the hurricane deck sent up a thundergust of humiliating laughter. I saw it all, now, and I felt meaner than the meanest man in human history. I laid in the lead, set the boat in her marks, came ahead on the engines, and said:

“It was a fine trick to play on an orphan, wasn’t it? I suppose I’ll never hear the last of how I was ass enough to heave the lead at the head of 66.”

“Well, no, you won’t, maybe. In fact I hope you won’t; for I want you to learn something by that experience. Didn’t you know there was no bottom in that crossing?”

“Yes, sir, I did.”

“Very well, then. You shouldn’t have allowed me or anybody else to shake your confidence in that knowledge. Try to remember that. And another thing: when you get into a dangerous place, don’t turn coward. That isn’t going to help matters any.”

It was a good enough lesson, but pretty hardly learned. Yet about the hardest part of it was that for months I so often had to hear a phrase which I had conceived a particular distaste for. It was, “Oh, Ben, if you love me, back her!”

FROM “THE PRINCE AND THE PAUPER” (1877–80)

Births of High and Low Degree