Hawks.—On the 17th inst., Clara, the daughter of Ephraim and Laura Hawks, aged 21 months and 2 days.
That merry shout no more I hear,
No laughing child I see,
No little arms are around my neck,
No feet upon my knee;
No kisses drop upon my cheek,
These lips are sealed to me.
Dear Lord, how could I give Clara up
To any but to Thee?
A child thus mourned could not die wholly discontented. From the Ledger of the same date I make the following extract, merely changing the surname, as before:
Becket.—On Sunday morning, 19th inst., John P., infant son of George and Julia Becket, aged 1 year, 6 months, and 15 days.
That merry shout no more I hear,
No laughing child I see,
No little arms are round my neck,
No feet upon my knee;
No kisses drop upon my cheek;
These lips are sealed to me.
Dear Lord, how could I give Johnnie up
To any but to Thee?
The similarity of the emotions as produced in the mourners in these two instances is remarkably evidenced by the singular similarity of thought which they experienced, and the surprising coincidence of language used by them to give it expression.
In the same journal, of the same date, I find the following (surname suppressed, as before):
Wagner.—On the 10th inst., Ferguson G., the son of William L. and Martha Theresa Wagner, aged 4 weeks and 1 day.
That merry shout no more I hear,
No laughing child I see,
No little arms are round my neck,
No feet upon my knee;
No kisses drop upon my cheek,
These lips are sealed to me.
Dear Lord, how could I give Ferguson up
To any but to Thee?
It is strange what power the reiteration of an essentially poetical thought has upon one's feelings. When we take up the Ledger and read the poetry about little Clara, we feel an unaccountable depression of the spirits. When we drift further down the column and read the poetry about little Johnnie, the depression and spirits acquires an added emphasis, and we experience tangible suffering. When we saunter along down the column further still and read the poetry about little Ferguson, the word torture but vaguely suggests the anguish that rends us.