“Esoteric Lore.”

“What’s that?”

Charlot suddenly made a bold dash into this strange conversation, and Roberta with something like terror saw that she had decided on the line she would take with her sister-in-law. Evidently it was to be a line of gentle banter. Charlot leant towards Lady Wutherwood and said gaily: “I’m as bewildered as Aunty Kit, Violet. Is esoteric lore the same as — what? Witchcraft? Don’t turn into a witch, darling.”

Lady Wutherwood stared at Charlot. “It’s a great mistake,” she said in her deep voice, “to laugh at necromancy, Imogen. There are more things in Heaven and earth—”

“I suppose there are, Violet, but I don’t want to meet them.”

“The church,” said Lady Katherine in her loudest whisper, “takes a firm stand in such matters. I imagine you know, Violet; that you are in danger of—”

The Lampreys all began to talk at once. They talked persistently, not raising their voices but overpowering their guests with a sort of gentle barrage. They seemed by tacit agreement to have split into two groups: Frid, Patch and their mother tackling Lord Wutherwood, while Henry and the twins concentrated on his wife. Lord Charles, nervously polishing his eye-glass, stood aside like a sort of inadequate referee. The scene now developed in accordance with the best traditions of polite drawing-room comedy. Roberta was irresistably reminded of the play she had seen the previous night and, once possessed of this idea, it seemed to her that the Lampreys and their relations had begun to pitch their voices like actors and actresses and to use gestures that were a little larger than life. The scene was building towards some neat and effective climax. There was perhaps a superfluity of character parts and with Lady Katherine Lobe smiling and nodding in her corner the eccentric dowager was not lacking. Partly to dispel this idea and in the hope that she might be of some service to the cause, Roberta moved to Lady Katherine who, true to family form, instantly began to confide in her, saying that she had heard most disquieting news of Violet and asking Roberta if she thought the Lampreys would rather she went away as poor Charles must be given a free hand with Gabriel. All this was fortunately uttered in such a muffled aside that Roberta could hear no more than half of it. Lady Katherine was too insistent, however, for Roberta to divide her own attention and she had no idea of what went forward between the Lampreys and the Wutherwoods until she heard Frid say: “No, Uncle Gabriel, I shall be bitterly humiliated if you don’t ask us to do one for you.” Roberta saw that Lord Wutherwood looked slightly less disagreeable. Frid was presenting herself as a lovely and attentive niece.

“I’m so glad you agree with me,” whispered Lady Katherine. “There is no doubt at all, in my mind, of our duty to these poor things.” Roberta did not know if she spoke of the Lampreys, of ailing children, or of Jewish refugees, in all of whom she seemed to be passionately interested. Frid had refilled her uncle’s glass. Lady Wutherwood was droning interminably to Henry and the twins who appeared to be enraptured with the recital. Charlot suddenly broke up this comparatively peaceful picture by making the much-discussed announcement.

“Children,” she said gaily. “Frid’s been telling Uncle Gabriel about your charades. Do you think you could do a very quick rhyming charade now, for Aunt Violet and Aunt Kit and Uncle Gabriel? Don’t take ages deciding what to do; just do the first thing that comes into your heads. We’ll give you a word. Out you go.”

“Come on, Robin,” said Henry.