"This seems to be a calamity that has no precedent, and I can not understand how so many people were caught in the balconies unless they were stunned by the shock of an explosion. There were ample fire exits and they were available. The house could have been emptied in less than five minutes if they were all utilized. The fact that so many people were caught in the balconies would prove that they were stunned and panic-stricken by the report rather than by the fear of a fire. It is difficult for me at this time to even guess as to the cause for the great loss of life.
"I am completely upset by this disaster, more so because I have built many theaters and have studied every playhouse disaster in history to avoid errors."
EXAMINATION BY ARCHITECTURAL EDITOR.
Robert Craik McLean, editor of the Inland Architect, who spent some time investigating the claim that the theater was equipped with an asbestos fire curtain, said: "After a careful investigation, I am convinced that the theater was not equipped with a curtain such as is demanded by the city ordinances.
"I visited the damaged theater, but there was no sign of an asbestos curtain. Fire will not destroy asbestos, and if there was a curtain there when the holocaust occurred it had been removed, and an investigation should be made to learn what became of it. If no curtain had been removed, as is claimed, I cannot understand how the claim can be set up that the theater had a fire curtain. No one denies that there was a curtain there, but had it been made of asbestos, as required by the ordinance, it would not have been destroyed by the draft of air, as is claimed by the management of the house. An asbestos curtain must have a foundation of wire or some other material, and had the Iroquois been equipped with such a drop the wire screen, at least, would be there to prove it."
"Mr. Samuel Frankenstein of the Frankenstein Calcium Light company, made the statement to me that he had had a conversation with the stage manager of the Iroquois regarding the fire drop. Mr. Frankenstein said that the stage manager told him that the Iroquois stage was not equipped with a true fire curtain. According to Mr. Frankenstein, the stage manager went further than this, and declared that there were only three theaters in Chicago equipped with real asbestos drops."
PROPOSED PRECAUTIONS FOR NEW YORK THEATERS.
Charles H. Israels of the firm of Israels & Harder, architects of the new Hudson theater, and several of the large hotels, suggested a number of precautions which might be adopted in New York theaters. Among other things he advocated an ordinance requiring all the theater emergency exits to be used after each performance.
"Nearly every modern theater in this city," Mr. Israels said, "is adequately provided with exits, with which the audience are not familiar, and which are used so seldom that the employes are unused to having the audience pass out through them. Besides the one exit ordinarily in use there are four emergency exits, and the law requires them to open either on a brick enclosed alley at the side of the theater or directly into the street.
"The people in the gallery, who are in the place of the greatest danger, would undoubtedly become thoroughly accustomed to using these outside stairways.