"Run now, and tell Mrs. Stoddard, there's a good child! And sometime you must come to see me at the red house; will you?"
The girl's face lighted up as if the sun had come through a cloud. She smiled at Agatha in return, with a "Yes" under her breath. Thus are slaves made.
Left alone in the cool, dim parlor, so orderly and spotless, Agatha had a presentiment of the prejudice of class and of religion against which she was about to throw herself. Susan Stoddard's fanaticism was not merely that of an individual; it represented the stored-up strength of hardy, conscience-driven generations. The Stoddards might build themselves houses with model laundries, but they did not thereby transfer their real treasure from the incorruptible kingdom. If they were not ruled by aesthetic ideals, neither were they governed by thoughts of worldly display. This fragrant, clean room bespoke character and family history. Agatha found herself absently looking down at a white wax cross, entwined with wax flowers, standing under a glass on the center-table. It was a strange piece of handicraft. Its whiteness was suggestive of death, not life, and the curving leaves and petals, through which the vital sap once flowed, were beautiful no longer, now that their day of tender freshness was so inappropriately prolonged. As Agatha, with mind aloof, wondered vaguely at the laborious patience exhibited in the work, her eye caught sight of an inscription molded in the wax pedestal: "Brother." Her mind was sharply brought back from the impersonal region of speculation. What she saw was not merely a sentimental, misguided attempt at art; it was Susan Stoddard's memorial of her brother, Hercules Thayer—the man who had so unexpectedly influenced Agatha's own life. To Susan Stoddard this wax cross was the symbol of the companionship of childhood, and of all the sweet and bitter involved in the inexplicable bond of blood relationship. Agatha felt more kindly toward her because of this mute, fantastic memorial. She looked up almost with her characteristic friendly smile as she heard slow, steady steps coming down the hall.
The eyes that returned Agatha's look were not smiling, though they did not look unkind. They gazed, without embarrassment, as without pride, into Agatha's face, as if they would probe at once to the covered springs of action. Mrs. Stoddard was a thick-set woman, rather short, looking toward sixty, with iron-gray hair parted in the middle and drawn back in an old-fashioned, pretty way.
It was to the credit of Mrs. Stoddard's breeding that she took no notice of Agatha's peculiar dress, unsuited as it was to any place but the bedroom, even in the morning. Mrs. Stoddard herself was neat as a pin in a cotton gown made for utility, not beauty. She stood for an instant with her clear, untroubled gaze full upon Agatha, then drew forward a chair from its mathematical position against the wall. When she spoke, her voice was a surprise, it was so low and deep, with a resonance like that of the 'cello. It was not the voice of a young woman; it was, rather, a rare gift of age, telling how beautiful an old woman's speech could be. Moreover, it carried refinement of birth and culture, a beauty of phrase and enunciation, which would have marked her with distinction anywhere.
"How do you do, Miss Redmond?"
Agatha, standing by the table with the cross, made no movement toward the chair. She was not come face to face with Mrs. Stoddard for the purpose of social visitation, but because, in the warfare of life, she had been sent to the enemy with a message. That, at least, was Agatha's point of view. Officially, she was come to plead with Mrs. Stoddard; personally, she was hot and resentful at her unjust words. Her reply to her hostess' greeting was brief and her attitude unbending.
"I have come to ask you, Mrs. Stoddard," Agatha began, though to her chagrin, she found her voice was unsteady—"I have come personally to ask you, Mrs. Stoddard, if you will help us in caring for our friend, who is very ill. Your brother, Doctor Thayer, wishes it. It is a case of life and death, maybe; and skilful nursing is difficult to find."
Agatha's hand, that rested on the table, was trembling by the time she finished her speech; she was vividly conscious of the panic that had come upon her nerves at a fresh realization of the wall of defense and resistance which she was attempting to assail. It spoke to her from Mrs. Stoddard's calm, other-worldly eyes, from her serene, deep voice.
"No, Miss Redmond, that work is not for me."