As to Turning: Things worn threadbare had better be turned, either with or without dyeing. Darn the threadbare spots, loosely and sparsely, press—on the right side, of course. Press all over, then take stock of needs and materials. Make the most of every clothes opportunity.

Freshening Velvet: Raise the pile of crushed velvet by stretching over a wet cloth laid on the face of a very hot iron and brushing hard while the steam rises. This answers for spots and streaks—with a crushed surface or one so faded dyeing will help it, make into panne velvet by pressing on the right side while damp, laying the pile all one way. Velveteen and cotton-backed velvet dye poorly. Brush well, tack on a board, and paint with hot dye, using a soft brush. Let stand in air to set, then wash with a cloth and soapsuds, followed by rinsing. Press on the right side while still damp. This gives a surface passable for school hats or caps, or yokes and cuffs on made-over frocks.

Save the Pieces: In cutting down men’s clothes use the worn parts to interline smaller new garments. Use the very best for the outside, even though it necessitates piecing. Match threads and figures exactly, sew fast, and press hard, then piecing hardly shows. Do it before cutting out. With sleazy stuff whip over edges before sewing together. Avoid putting pieced seams where there will be constant pressure.

Adaptation: A jacket or coat worn along seams may be made to serve beautifully for a much smaller person by simply ripping all seams, trimming, and sewing again. Lengthen skirts outgrown by insets of embroidery or contrasting color. Make the waist to match, either with an inset or a deep girdle. Aim to make all changes so they shall look voluntary, not makeshift. In handing down outgrown garments be merciful enough to change them so the new possessor shall not be taunted for wearing. This is not hard; a new yoke, belt, and cuffs will transfigure a garment, to say nothing of the magic wrought by dyeing. Cut, fit, and finish madeovers quite as carefully as new things. Change trimmings—for moral and esthetic effect. Make several dyeings—it is piteous to see a whole family touched up with navy blue or wine-red or pink. Dyes are so cheap, dyeing so easy, give yourself the satisfaction of variety. If combining materials, dye them one after the other, the heaviest first. It is likely to be deepest. Use the lighter tint according to quantity and taste for foundation or accessories. Remember two good garments, or even one, will do more good than several skimped and spoiled.

Millinery: Steam hats of fancy braid soft, unpick, steam again, sew while soft, shape, and wire. To change color, paint over with dye, let dry thoroughly, then wipe over with a cloth wet in alcohol to remove surplus color. Or wash quickly with white soapsuds, drying in sunlight; or wipe over with alum water. None of these are necessary if the color does not rub off. Or veil with net, chiffon, lace, or grenadine. Cord the brim edge with silk or velvet, and shir the thin stuff inside. Shape by bending while still damp. Trim according to taste and fashion. Hats of beaver can be steamed a very little, then pressed over an improvised block—a fruit jar inverted, a crock, a tin pan, or bucket. Cover with a damp cloth while pressing. Begin on something of little value, learning by experience. Hats of velvet or silk or lace must be unpicked, freshened, and made up anew, using new shapes. Lingerie hats require simply washing and reshaping over clean frames with fresh or freshened ribbons.

Restore ribbon and velvet as already directed. To improve crushed and faded flowers touch the backs of the petals thickly with gum arabic (see section Renovators), let dry, then dip in gasolene, lave quickly, and pass on into more gasolene which has had a tube of oil color dissolved in it. Work quickly, moving the flower sprays about so they shall not be blotched nor streaked. Lay on soft paper to dry in airy shade. Big flowers—roses, orchids, poppies—had better be separated before dyeing, then remounted. Touching up the hearts with oil color rubbed smooth in a little poppy oil, using a camel’s-hair brush, is a further improvement.

Stiff fancy feathers can be dyed, not by dipping, but painting with hot dye, and taking off the surplus by brushing hard when dry with corn starch and prepared chalk in fine powder. Touch mounting very lightly—they are founded on glue. If ill-colored, conceal them with choux of ribbon or velvet or a made ornament.

Fine feathers should go to professionals—at least, until their owners learn to color cheap ones. Draggled soft feathers may be colored with gasolene and tube paint, shaking hard while they dry so there shall be no clotting. Strip off when dry, and tie the flues into pompons about lengths of stiff wire with loops in the end. Wind the wire with silk thread or cover with a spiral of tissue paper. Two or three shades of the same color tied thus make a handsome ornament for any school hat.

Clean white and light plumes by sprinkling very lightly with gasolene, then burying a week in corn starch and magnesia. Shake out the powder, beat the plumes steadily but gently against the palm, then comb very gently with a coarse clean comb, and hold in the steam of a kettle. Curl, if you like, by drawing the flues, a few at a time, over the edge of a blunt knife, taking care to draw so steadily there is no breaking.

Ornaments: Mark what you wish—buckle, butterfly, star, crescent, dagger, or quill—accurately upon rather fine buckram, sew fine wire over the outlines, then cut out neatly. Cover with silk or velvet. Make a butterfly body of velvet very slightly padded with wings of silk. Sew firm, turning stuff well over edges, then sew on beads, any sort you like. Make them imitate butterfly markings, cover a quill as though flues, fill star surfaces completely, but simply edge crescents and buckles. After edging put inside bigger beads, of contrasting color. The beading done, cover the whole under side neatly with soft thin silk or net. Quills need a stout center wire. Crystal, with a tip of gold beads or silver and bronze or jet with silver and rhinestones, deftly managed make effective ornaments.