[[15]] These very fine pieces of red biscuit clay unglazed and highly scented were much prized; and it was a vicious fashion, of ladies particularly, to masticate or eat this ware.
[[16]] This beautiful and gifted actress, the idol of the susceptible Madrileños, was also for a wonder at that period a decent member of society. She was a member of the charitable fraternity of Nuestra Señora de la Novena, and was very devout. She died in 1656, and was buried at Barcelona in the Augustan Monastery of St. Monica, where there was a special actors' chapel. Fifty years afterwards, her body, and even the veil in which it was enveloped, were found incorrupt, and she was thenceforward considered almost a saint. Juan de Caramuel wrote of her: "She was a beautiful girl, gifted with so vehement an imagination that, to the surprise of everyone, when she was acting her colour changed in accordance with the emotions she portrayed. If the event represented were a pleasant one, her face was rosy, whilst pallor cloaked her cheeks when the play was sad and sorrowful. In this she was unique and inimitable."
[[17]] Less than a fortnight after this costly feast, a terrible fire, which threatened all Madrid with destruction, and demolished in the three days it lasted half of the Plaza Mayor, took place (7th July 1631). The loss and terror of the people were great; but so wedded was the capital to shows, that almost before the ashes were extinguished a great royal bull-fight in the presence of the King and Court was held in the still smoking square. During the corrida a house in the Plaza caught fire again, and many of the panic-stricken people in their efforts to escape were trampled upon and seriously injured. It is stated that Philip did not even rise from his seat, and ordered the bull-fight to proceed.
[[18]] MS. account reproduced in Mesonero Romanos' Antigua Madrid.
[[19]] The Year after the Armada, and Other Historical Studies.
[[20]] Egerton MSS. 329, British Museum.
[[21]] This was a well-known noble poet and friend of Philip's in his dramatic amusements.
[[22]] Philip showed his appreciation of the services of Don Juan Isasi Ydiaquez in the most flattering way, by at once appointing him governor and tutor of his legitimate son and heir, the promising little Don Baltasar Carlos, then five years old.
[[23]] The vast park of Madrid represents part of the grounds which ran up from the present line of the Prado to the extreme end of the present park on the east, and included the whole space from the Alcala to the Atocha. Olivares had kept his plan secret from the King as long as he could, having gradually acquired the ground without disclosing his intention. The Venetian ambassador Corner mentions in 1635 with surprise that the whole place had sprung up in two years.
[[24]] The only portions of the palace now remaining are the Artillery Museum, and the fine concert hall, built by Philip V., and decorated by Luca Giordiano. The ancient church of the monastery, of course, still exists.