On the right hand, as one looked down over the battlements, the pretty gardens of the palace, with flowers and palms, are spread at the foot, whilst, resting humbly under the shadow of the palace, is the ancient church and the tiny monastery, which for centuries housed the silent Trappists, whose loving care made this holy wood to grow upon the spurs and glens of a granite mountain. Beyond the garden, the wood slopes suddenly down in billows of greenery, and then at its foot spreads the vast plain, with towns and villages nestling in its hollows. And as the sun grows in brightness I see beyond the limits of the plain, far away, a long strip of white, and over it, high up, as it seems above the horizon, a deep violet wall. It is the sea, the broad Atlantic, with its fringe of silvery sand many miles distant, and it gives the supreme touch to a scene of perfect beauty. On the other side of the castle the view is just as lovely in a different way. Beyond the palms and flowers at the foot, seen over a hundred carved crockets and capricious stone pinnacles and gargoyles, with the great tower of the castle and its armillary sphere over all, is a far stretch of undulating wood; and then a vast tumble of mountains, range over range, all but the highest clothed to the top with forests, and beyond and above them all the bare granite peaks of the Caramulo range, iridescent now with the morning sun. The domain occupies the whole of the north-western end of a long continuous mountain ridge, some eight miles in total length, running from south-east to north-west and extremely precipitous on all sides. From the earliest times, at all events since the fourth century, the glens and ravines that score these slopes have been jealously guarded by ecclesiastical masters. The sheltered position and soft westerly breezes from the Atlantic endowed the spot with a climate mild, equable, and healthy, even for Portugal, whilst the purity and abundance of the springs and the marvellous fertility of the soil in the deep, moist gorges on the mountain-side made it an enviable place of secluded residence. Whilst the minimum winter temperature is about forty degrees, frost being unknown, the summer heat is tempered by the altitude of the place and by the abundant shade of the woods, so that the temperature rarely exceeds that of a warm July day in England.

With these climatic conditions it is natural that this end of the ridge, protected on all sides, should develop a vegetation of extraordinary luxuriance. So remarkably was this the case that the successive ecclesiastical bodies to which it belonged for fifteen hundred years decreed that the woods were for ever to be held sacred as a place of sanctuary and devotion. From the eleventh century onward the domain belonged to the Archbishops of Braga, and in 1626 one of them granted it to the order of shoeless Carmelites, as a retreat remote from the world, where the monks following the strict Trappist rule might meditate in silence undisturbed by the turmoil of their fellow-men. In poverty, and with the hard labour of their own hands, the monks built the little monastery and humble church as they now stand, with other portions since demolished; and, year by year, for two hundred years, planted and tended with devout care the sacred wood which was their one earthly concern. From all quarters of the globe where the Portuguese flag waved, from India, South America, and the Far East, rare plants and trees were sent by Carmelites to their beloved “Matto de Bussaco.” Medicinal herbs, rare and lovely ferns, and exotic fruit and flowers, impossible in other places in Europe, here grew luxuriantly, and the silent, white-robed gardeners planted and tended their domain until it became not a wood but a sylvan garden of surpassing beauty, as it remains to-day.

A high wall shuts it in from the rest of the world, whilst a special Bull of Urban VIII., deeply cut to this day upon a great slab on the principal gateway, condemned to major excommunication any person who violated the sanctuary or injured any plant within the sacred precincts; and another papal Bull bans any woman who dares to set her foot upon the domain. Beautiful terraced paths were cut upon the hillsides, and zigzagging down the ravines, fountains that gushed spontaneously from the mossy rocks were dedicated to saints and adorned with sculptured shrines or rustic grottoes. Everything that single-hearted toil and devotional spirit could do, for centuries the shoeless Carmelites did for their remote monastery and the fairy glens of Bussaco; and since the abolition of the monastic orders in Portugal, the Government have tended and guarded the spot as carefully as the silent monks before them. One trembles for each innovation in such a spot as this, and the present road-cutting operations through the wood and just around the palace, though the new approaches will doubtless add to the accessibility of the place, cannot fail to injure somewhat its sylvan beauty; just as the building of the palace itself, and especially of the new annexe now in course of construction, further dwarfs and hides the quaint little monastery, which really seems to strike the note harmonious with the place.

To describe in detail the beauties of Bussaco is impossible in the space at my disposal, but one ramble amongst many may be cited as an example of the effect produced by them upon an appreciative visitor. The sky was the deep, lustrous, sapphire blue of which Portugal alone seems to hold the secret, and the fierce sunlight, held in check by the lofty canopy of leaves, just dappled with golden tesselation the steep path up which I wandered from the palace door. On each side of the well-kept walk stood low stone walls, a mass of brilliant emerald, clothed, as they were, with long trailing mosses and tender fronds of ferns innumerable. Autumn as yet had done nothing to braise and brand the greenness of summer; for in this favoured spot the seasons make but slight difference in the vegetation. Verdant glades and dim recesses of sea-green shadow open up at every turn in the winding path; domed masses of foliage above and below on the steep sides of the glen seem like the silent naves and aisles of vast cathedrals. To say that the air was like wine is a commonplace. This was primeval air, the breath of a myriad trees and sweet health-giving plants, inhaled upon a mountain top overlooking the boundless sea. Not like wine grossly made by man was this, but like some vital elixir distilled in a magician’s laboratory, bringing new life and vigour, with a sensuous joy added by the spirit of the place and the soft warmth of the shaded sun.

Towering eucalyptus trees, the fawn-coloured bark hanging in long loose strips and showing the silver skin beneath, alternated with pied planes and feathery palms. Pines and cedars of Lebanon, and a score of trees one knows not by name, tower over all, their great trunks (I measured one cedar twenty feet round), clothed at foot by a dense undergrowth of flowering plants. Large camellia trees, agaves and magnolias full of bloom, the big white pendent flower of the datura, the pink and blue masses of hydrangea, and the glistening foliage of orange trees, lit up the shadowy slopes overhung by the dense foliage of the forest; and trails of smilax, and I know not what other verdant creepers hung in festoons from branch to branch.

THE HOTEL, BUSSACO, FROM THE WOODS.

At the top of the path a moss-grown cross at the foot of a flight of broken stone steps, hard by a crumbling archway, marks the beginning of one of the several pilgrimages of the Cross scattered through the woods, a lichen-covered slab upon the cross recording that: “These two hermitages of the pilgrimage of the Cross were built by order of the Illustrious João de Melo, Bishop and Count, in the year 1694.” The little hermitages stand almost intact, though their thick walls are all overgrown with bright mosses and reaching arms of verdure. Passing beneath the archway, shadowed by a mighty cedar, I find myself at the foot of this Via Sacra, a steep ascent with green and crumbling steps before each open shrine of the Passion every hundred yards or so. The shrines, little quaint square buildings, with the window-like opening breast high, and a kneeling-stone before each, are all dismantled and empty now; though with their cloak of foliage and ferns and their lichen-clothed slabs telling the scene of the sacred Passion which used to be exhibited inside, they are perhaps more beautiful so than ever they were. Weeks after, when I saw at Caldas, in course of construction, some very fine sacred groups in enamelled earthenware, the figures half life-size, and was told that these scenes of the Passion were intended by the Government for the restoration of the shrines at Bussaco, I breathed a silent hope that, though the groups might be replaced, no attempt would be made to restore to newness the shrines themselves.

As one trod the old path of the pilgrimage, up mossy steps and past despoiled shrines, with glimpses of sunlit glades and shady green dells, it was impossible to shut away from one’s thoughts those generations of silent white-clad figures, who, shoeless, had toiled so often up the Via Dolorosa, with tears of penitence, perhaps agonies of regret, for the life from which they had fled. All around were relics of their unrecorded labour. Sculptured stones, chapels, hermitages, fountains, grottoes, and shrines were all built by their patient hands; paths scarped on steep hillsides, seats placed in quiet nooks for the meditative and the weary, nay, the trees and plants from all lands growing so proudly now had all been tended anxiously by the same dumb shadows that for centuries waited for death within the walls enclosing the sacred wood. If ever a place was haunted by sad, harmless ghosts, these paths of pilgrimage at Bussaco must still be thronged by the white-robed phantoms of those who made them.