[CHAPTER XI]
Gingerbread House

Now that the children were surrounded by people, they felt as if they lived in an ant-hill. The day was full of happenings, all equally exciting—and the most exciting of it all was their fear of the "ogre." Suddenly, when they were playing hide-and-seek amongst the boats, or sat riding on the roof of the engine-house, he would appear, his long arms grasping the air, and if he caught hold of one of them, they would get something else to add to their fear. His breath smelt of raw meat, the children declared; they did not make him out better than he was. To run away from him, with their hearts thumping, gave zest to their existence.

And when they lay in bed at night listening, they heard sounds in the house, which did not come from any of their people. Then came steps in stocking-feet up in the attic, and they would look towards Ditte. Kristian knew what it meant, and they buried their heads underneath the bedclothes, whispering. It was Jacob, the fisherman, creeping about upstairs, listening to what they said. He always stole about, trying to find out from the talk a certain word he could use to drive the devil out of the inn-keeper. The children worried over the question, because he had promised them sixpence if they could discover the word. And from the other side of the wall, they could hear the old grandmother's cough. She had dropsy, which made her fatter and fatter outside, but was hollow within. She coughed up her inside.

The son was on a long voyage, and seldom came home; but each time he returned, he found one of the children dead and his wife with a new baby to make up for it. She neglected her children, and in consequence they died. "Light come, light go!" said folk, and laughed. Now only the twins remained: there they lay in the big wooden cradle, screaming day and night, with a crust of bread as a comforter. The mother was never at home. Ditte looked after them, or they would have perished.

A short distance away on the downs, was a little house, quite different from the others. It was the most beautiful house the little ones had ever seen: the door and the window-panes were painted blue; the beams were not tarred as in the other huts, but painted brown; the bricks were red with a blue stripe. The ground round the house was neat: the sand was raked, and by the well it was dry and clean. A big elder—the only tree in the whole hamlet—grew beside the well. On the window-sill were plants, with red and blue flowers, and behind them sat an old woman peeping out. She wore a white cap, and the old man had snow-white hair. When the weather was fine he was always pottering round the house. And occasionally the old woman appeared at the door, admiring his handiwork. "How nice you've made everything look, little father!" said she. "Ay, it's all for you, little mother," he answered, and they laughed at each other. Then he took hold of her hand, and they tripped towards the elder tree and sat down in the shade; they were like a couple of children, but she soon wanted to go back to her window, and it was said that she had not gone beyond the well for many a year.

The old people kept to themselves, and did not mix with the other inhabitants of the hamlet, but when Lars Peter's children passed, the old woman always looked out and nodded and smiled. They made some excuse to pass the house several times a day: there was something in the pretty little place and the two old people which attracted them. The same cleanness and order that ruled their house was apparent in their lives; no-one in the hamlet had anything but good to say of them.

Amongst themselves, the children called it Gingerbread House, and imagined wonderful things inside it. One day, hand in hand, the three went up and knocked on the door. The old man opened it. "What do you want, children?" he asked kindly, but blocking the door. Yes, what did they want—none of them knew. And there they stood open-mouthed.

"Let them come inside, father," a voice said. "Come in then, children." They entered a room that smelt of flowers and apples. Everything was painted: ceiling, beams and walls; it all shone; the floor was painted white, and the table was so brightly polished that the window was reflected in it. In a softly cushioned armchair a cat lay sleeping.