The entrance of “The Seventh Heaven” was flooded with light, which exposed the merciless cold of the street. Outside, in the sea of light, thronged the children of the terrible winter, dishevelled and perishing with the cold. They stood there shuddering, or felt in their pockets for a five-öre piece, and if they found it they slipped through the blood- red tunnel into the dancing-hall.

But it was cold in there too; their breath hung like white powder on the air; and crystals of ice glittered on the polished floor. Who would dream of heating a room where the joy of life was burning? and a thousand candles? Here carelessness was wont to give of its abundance, so that the lofty room lay in a cloud and the musicians were bathed in sweat.

But now the cold had put an end to that. Unemployed workers lounged about the tables, disinclined for movement. Winter had not left the poor fellows an ounce of frivolity. Cerberus Olsen might spare himself the trouble of going round with his giant arms outspread, driving the two or three couples of dancers with their five-öre pieces indoors toward the music, as though they had been a whole crowd. People only toiled across the floor in order to have the right to remain there. Good Lord! Some of them had rings and watches, and Cerberus had ready cash—what sort of dearth was that? The men sat under the painted ceiling and the gilded mirrors, over a glass of beer, leaving the girls to freeze—even Elvira had to sit still. “Mazurka!” bellowed Cerberus, going threateningly from table to table. They slunk into the hall like beaten curs, dejectedly danced once round the floor, and paid.

But what is this? Is it not Summer herself stepping into the hall? All glowing and lightly clad in the blue of forget-me-nots, with a rose in her fair hair? Warmth lies like fleeting summer upon her bare shoulders, although she has come straight out of the terrible winter, and she steps with boldly moving limbs, like a daughter of joy. How proudly she carries her bosom, as though she were the bride of fortune—and how she burns! Who is she? Can no one say?

Oh, that is Widow Hanne, a respectable girl, who for seven long years faithfully trod her way to and from the factory, in order to keep her old mother and her child!

But how comes it then that she has the discreet Pelle on her arm? He who has sold his own youth to the devil, in order to alleviate poverty? What does he want here on the dancing-floor? And Hanne, whence did she get her finery? She is still out of employment! And how in all the world has she grown so beautiful?

They whisper behind her, following her as she advances; and in the midst of the hall she stands still and smiles. Her eyes burn with a volcanic fire. A young man rushes forward and encircles her with his arm. A dance with Hanne! A dance with Hanne!

Hanne dances with a peculiar hesitation, as though her joy had brought her from far away. Heavily, softly, she weighs on the arms of her partners, and the warmth rises from her bare bosom and dispels the cold of the terrible winter. It is as though she were on fire! Who could fail to be warmed by her?

Now the room is warm once more. Hanne is like a blazing meteor that kindles all as it circles round; where she glides past the fire springs up and the blood runs warmly in the veins. They overturn the chairs in their eagerness to dance with her. “Hi, steward! Five kroner on my watch—only be quick!” “Ach, Hanne, a dance with me!”—“Do you remember we were at the factory together?”—“We used to go to school together!”

Hanne does not reply, but she leaves Pelle and lays her naked arm upon their shoulders, and if they touch it with their cheeks the fire streams through them. They do not want to let her go again; they hold her fast embraced, gliding along with her to where the musicians are sitting, where all have to pay. No word passes her lips, but the fire within her is a promise to each of them, a promise of things most precious. “May I see you home to-night?” they whisper, hanging on her silent lips.